Sweet Lips gets my vote(s). I watched the pilot, the insufferably long, arch, launch and was startled by a couple of things.
SPOILERS inevitable.
How much the show rides the Evan Hansen dynamic, i.e. the wet-eyed duplicitous lead, the self-destructive Other Boy. And with all of the motormouth neurotic spontaneous oration, feels built to allow Platt to simply re-purpose his characterization. The show's biggest problem: for all its ruminations on power and ascendancy to positions of sway over peers, it feels empty, not really "about" much of anything. It is part "Election," part :"Glee," part "Evan Hansen," and part every teen sitcom since 1980s, including some wonderful failed ones like "Square Pegs."
I wanted to love Platt, but my, he's doing a lot of Acting, isn't he? The tears arrive quickly, and he's suddenly Sandy Dennis. And this is hard to say fairly: he doesn't wear well. He's not someone we enjoy staring at for endless reactions. His face is sort of the younger brother of Jerry Seinfeld, expressive but too prone to bug-eyed indicating. Yes, he's playing to row X, and hasn't mastered camera technique. Again, this is exacerbated by his being encouraged to recycle elements of his B'way performance, at least in technical terms. I thought he was far more winning in the little guest shot on "Will and Grace." Because he moved into adulthood.
On that point, let's just bring up the obvious: The show is built on 26-year-olds playing teens, and it dilutes whatever grounding the piece might have. At least half of the teens seem to be pushing 30. That only adds to the preciousness. We can buy it in "Grease" because, well, it's "Grease." In 2019, it feels lazy and distancing.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 9/29/19 at 08:26 AM