Mamma Mia Hairspray Les Mis and of course Blood Brothers!! (ok I know it didnt last as long on Broadway but that ending is very emotional and powerful!) Cabaret
Cabaret anyone? I couldn't move/speak/breathe for awhile after I saw that.
Does the sun really rise in the east?
Does the earth really spin around the sun?
What's it matter in the least?
What's real to me ain't real to everyone.
I love the not so flashy GG closing. It just breaks your heart. (The reprisal of "THe Girl Who Has Everything".)
Flashy-"Rose's Turn"
"A birdcage I plan to hang. I'll get to that someday. A birdcage for a bird who flew away...Around the world."
"Life is a cabaret old chum, only a cabaret old chum, and I love a cabaret!"-RIP Natasha Richardson-I was honored to have witnessed her performance as Sally Bowles.
I do love Candide's closing very much. I also enjoy: Ragtime and Les Miserable Hairspray was loads of fun... A Chorus Line was amazing cause it was the first show I ever saw...
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
In recent years- Hairspray! but i could go back 30 years and name so many. Boy did i buzz out of that first performance esp as Bette Midler was in the row in front of me and was having the best time. Updated On: 6/28/07 at 11:23 AM
This is going to be like deja vu... Hairspray The Phantom of the Opera (the way the emotions fly back and forth is insane) Les Miserables (never ceases to make me cry)
Assassins. Especially the original version that I saw 20 years ago. All the assassins are together and there is a voiceover that thanks them for blazing the trail. Then there is a roll call of OTHER assassins who didn't make it into the musical - Sirhan Sirhan, James Earl Ray, etc, etc, etc. The list goes on and on. It's been 20 years and I'm still shaking.
The current ending is good too, but the other one - wow.
"You Can't Stop the Beat" is great! Talk about a closing number where you walk out of a show singing! HA!
The Cabaret revival ending was VERY powerful.
Jack: For your information, most people who meet me do not know that I am gay.
Will: Jack, blind and deaf people know you're gay. Dead people know you're gay.
Jack: Grace, when you first met me, did you know I was gay?
Grace: My dog knew.
My votes goes for HAIRSPRAY and LES MIZ. "You Can't Stop the Beat" is just so energetic that you can't help but leave the theatre smiling wide. That final song of LES MIZ (off hand, I'm not sure which reprise of many it is) always moves me greatly. Broadway Blog: Fixing Follies