I've taught playwriting at the college level, but I never used a textbook. I'm sure there are exceptions (I do like Aaron Frankel's book WRITING THE BROADWAY MUSICAL, though it's probably dated now), but I find most of them stifling. Writers of such books have a tendency to give you a list of rules, many of them practical; but it's hard to write when you sit down with a blank sheet of paper and a list of 137 things NOT to do.
So let me ask: for whom is the book you seek intended? What age? How much experience in the theater? How much experience with creative writing?
Often, the best solution for somebody with some theatergoing experience is simply to sit down and write a play. Don't worry if what you write is "good", but also don't fall in love with every word.
Remember that the word "drama" (which in this context includes comedy) originally comes from the Greek word that means "to do". What are your characters doing? ("Doing" on stage doesn't mean blowing up stuff as it does in action films.) Talking may or may not be doing depending on whether the talking is intended to change something.
When your first draft is written, get your friends to help you read it out loud. Listen carefully. Ask what your friends think, but keep in mind that few people are trained to skillfully analyze a play in one sitting. Take their suggestions as hints, not gospel. Be very leery of anyone who tells you you have no talent based on your early efforts.
Rewrite your play or write another one. Repeat as needed.
(ETA there are modernist plays in which the characters do nothing. Those are the exceptions that prove the rule and require enormous skill and experience. Not a good place to start.)
Updated On: 9/27/12 at 07:02 PM
Purchase "Backwards & Forwards: A Technical Manual for Reading Plays" by David Ball.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I'm embarrassed to admit I haven't read Ball's book because I've heard good things about it. CapnHook raises an interesting point: sometimes books about play READING are more helpful than books about playwriting: the former often focus on what great plays DO accomplish rather than listing what bad plays DON'T.
I just took a play writing course at a University and oddly enough we never read a playwriting book-we read plays and we wrote. We wrote and read our plays out loud. Doing was so much more important that reading about structure.
I think having a love and knowledge of plays helps. Seeing as many as you can see helps too.
Three books I recommend are: Writing Your First Play by Roger Hall The Art & Craft of Playwriting by Jeffrey Hatcher
And if you want playwriting lessons distilled in a succinct and meaningful way:
Playwriting: Brief & Brilliant by Julie Jensen. I found this gem at the NYU bookstore and it has been invaluable. Im not much of a reader and it really gives you great nuggets of form about playwriting.
I also say buy the plays of a playwright you admire and whose style appeals to your aesthetic. It can teach you alot.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Books on writing plays are a bit like armchair travel guides. The only difference is if you use them while you're actually writing they can really screw you up.
The best books I think for dramatists are often about acting since they force the writer to think about "wants" and "actions" that their characters are bound up in. Without a serious want or action you do not have a play.
Reading about acting is an inspired idea. In fact, knowledge of any aspect of stagecraft is useful, but knowledge of acting particularly so. (Someone should share this idea with directors.)
I haven't read Jensen's book (I suppose it's obvious I'm not a fan of the genre) but I knew her casually when she taught at UCLA. Very smart lady. I doubt she would steer you wrong.
Thanks for the advice (sorry not to respond but I've been away from the site)
I see and read plays constantly and have studied acting and most aspects of theatre. I've only ever taken one creative writing class (and there was no text book so I guess you guys are on the right track)
John van Druten's (long out-of-print) PLAYWRIGHT AT WORK is one of the best books ever written on writing plays. His techniques are a little old-fashioned, obviously, but most of it is surprisingly still valid.
I am completing a project to finish my MA focused on writing musical theatre. The books on the subject I have read and would recommend, out of about twenty, are the following:
Stephen Sondheim- Finishing The Hat Stephen Sondheim- Look, I Made A Hat Lehman Engel and Howard Kissel- Words With Music Aaron Frankel- Writing The Broadway Musical Tom Jones- Making Musicals- Allen Cohen and Stephen Rosenhaus- Writing Musical Theater David Spencer- The Musical Theatre Writer's Survival Guide
Are all of these perfect? No, but out of what I have read, these are the most useful theoretical books I could find on musical theatre specifically.
Something that inspired me was reading "The Great Parade" by Peter Flichia, especially his thoughts on "Here's Love". He discusses the musical, and what he would have done with the show. Based on "Miracle on 34th Street", Meredith Wilson missed the mark on how to musicalize the story.
I know you asked for plays, but it was something that inspired me in my writing.
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