Click below to access all the Broadway grosses from all the shows for the week ending 1/19/2025 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
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Up for the week by attendance (% of capacity) was: A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (10.2%), CULT OF LOVE (6.4%), SUNSET BLVD. (6.3%), MJ THE MUSICAL (3.9%), OUR TOWN (3.4%), ENGLISH (3.1%), CHICAGO (2.8%), THE GREAT GATSBY (2.3%), & JULIET (2.2%), THE BOOK OF MORMON (0.3%),
Down for the week by attendance (% of capacity) was: HARRY POTTER AND THE CURSED CHILD (-10%), SIX (-5.9%), CABARET AT THE KIT KAT CLUB (-5.5%), HAMILTON (-5.4%), GYPSY (-4.1%), THE LION KING (-4.1%), HADESTOWN (-2.7%), LEFT ON TENTH (-2.2%), MAYBE HAPPY ENDING (-1.5%), DEATH BECOMES HER (-1.1%), MOULIN ROUGE! THE MUSICAL (-0.4%), EUREKA DAY (-0.3%), ALADDIN (-0.2%), HELL'S KITCHEN (-0.2%),
Click Here to Visit the BroadwayWorld Grosses...
Maybe Happy Ending holding steady! I love to see it.
Nice rebound this week, despite one less show and lower attendance.
Happy trails to OUR TOWN, Jeremy Jordan, Paulo Szot, Cole Escola, Conrad Ricamora, and James Scully. Pretty good numbers this time around for all of these respective shows.
Remember, Broadway Week discounts go into effect starting this week!
Stand-by Joined: 10/29/22
I know it was Jeremy Jordan’s last week, but TGG being in the top 5 highest grosses for the week is pretty amazing.
Time will tell how it fares with the cast changes, but for a show everyone thought was DOA after the reviews, the producer has to be thrilled.
mshalo18 said: "I know it was Jeremy Jordan’s last week, but TGG being in the top 5 highest grosses for the week is pretty amazing.
Time will tell how it fares with the cast changes, but for a show everyone thought was DOA after the reviews, the producer has to be thrilled."
For a show I cannot stand, the one thing I will give their flowers for is the fact that they marketed the holy hell out of this show and advertised every minute bit of praise and fan award, and blasted the show across the whole Internet (I was getting targeted YT ads for MONTHS).
Considering a major complaint about shows failing is marketing, GATSBY has really nailed down how to hit the mass market and other shows could take notice.
Also somewhat surprising that ALADDIN had the lowest average ticket price among last week's musicals.
Does Moulin Rouge have another stunt casting up its sleeves aside from Boy George returning? I can’t see it lasting much longer if it continues having sub million dollar weeks.
The grosses for “Gypsy” just continue to astound me.
Pretty solid week in general. I'll be very curious to see the numbers for Oh Mary and The Great Gatsby in the coming weeks...
quizking101 said: "mshalo18 said: "I know it was Jeremy Jordan’s last week, but TGG being in the top 5 highest grosses for the week is pretty amazing.
Time will tell how it fares with the cast changes, but for a show everyone thought was DOA after the reviews, the producer has to be thrilled."
For a show I cannot stand, the one thing I will give their flowers for is the fact that they marketed the holy hell out of this show and advertised every minute bit of praise and fan award, and blasted the show across the whole Internet (I was getting targeted YT ads for MONTHS).
Considering a major complaint about shows failing is marketing, GATSBY has really nailed down how to hit the mass market and other shows could take notice."
GATSBY also has a very well known IP already.
A Wonderful World continues to bleed money. where's the closing notice?
Call_me_jorge said: "Does Moulin Rouge have another stunt casting up its sleeves aside from Boy George returning? I can’t see it lasting much longer if it continues having sub million dollar weeks."
It's only dipped below 1 mil 6 times in the last 26 weeks.
quizking101 said: "For a show I cannot stand, the one thing I will give their flowers for is the fact that they marketed the holy hell out of this show and advertised every minute bit of praise and fan award, and blasted the show across the whole Internet (I was getting targeted YT ads for MONTHS).
Considering a major complaint about shows failing is marketing, GATSBY has really nailed down how to hit the mass market and other shows could take notice."
They've done a good job of promoting Great Gatsby, but it's also helped by being a big slick musical with high belting and energetic dance numbers and scenery.
AND while it's not a show for kids, you could take a teen, or your 90-year-old mother, or a tourist who doesn't speak much English, and they'd all probably have a good time. It's a bit of a throwback to the Cameron Mackintosh era, and that is not true of many Broadway shows of the moment.
It'll also make bank on the road and in international markets.
Marc Bruni is quietly a Broadway hitmaker between this and BEAUTIFUL.
Jordan Catalano said: "The grosses for “Gypsy” just continue to astound me."
Happily eating my hat, as someone who was extremely skeptical of Audra's box office prowess prior to previews!
Broadway Legend Joined: 1/25/20
Gypsy's numbers are reassuring of something I've known and been saying for years. When Audra's SINGING, the sales will happen. If she's in a non-singing play... less so.
Correct, anyone who was skeptical about that is truly delusional. People will come from all over the world to hear one of the greatest living vocalists of all time. The older she gets the less she will do this, making this show truly an event.
So thrilled for Maybe Happy Ending. I love that it caught on because it's just genuinely wonderful.
Broadway Star Joined: 5/8/19
Sutton Ross said: "Correct, anyone who was skeptical about that is truly delusional. People will come from all over the world to hear one of the greatest living vocalists of all time. The older she gets the less she will do this,making this show truly an event.
I finally saw the show Sunday matinee, and what's making this show truly an event is that Audra's giving the most extraordinary, emotionally devastating musical theater performance I've ever seen, and I've been seeing them for more than 40 years. And this is coming from someone who was mildly skeptical about her casting from the day it was announced. How she's been able to mold that score to her voice or her voice to that score is simply stunning. I've always known she's one of the greats, but three days later, I'm still overwhelmed by what I witnessed at the Majestic.
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