Broadway Grosses: Week Ending 2/18/24

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: SPAMALOT (23.5%), WICKED (18.1%), BACK TO THE FUTURE: THE MUSICAL (18%), HARRY POTTER AND THE CURSED CHILD (17.4%), KIMBERLY AKIMBO (15.3%), ALADDIN (12.6%), CHICAGO (10.1%), MJ THE MUSICAL (9.4%), SIX (8.9%), THE BOOK OF MORMON (8.2%), & JULIET (5.7%), HAMILTON (4.4%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (3.8%), THE LION KING (3.7%), HADESTOWN (3.3%), THE NOTEBOOK (3%), DOUBT: A PARABLE (2.5%), APPROPRIATE (1.9%), SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (1.8%), MOULIN ROUGE! THE MUSICAL (1.3%), PRAYER FOR THE FRENCH REPUBLIC (0.1%),

Down for the week by attendance (% of capacity) was: DAYS OF WINE AND ROSES (-7.4%),

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Amazing start for The Notebook. Over a million for 7 performances.

Isn't THIS week school vacation week? It certainly is in New England. (Because it starts with Presidents Day.)

Crazy week for Hadestown! This is the first time they've crossed a million not during Christmas/New Year's since Andre de Shields left!

The producers have been debating when to close it for a long time now. It seems like the stunt casting has been working for them though. That being said, I don’t see it around next year.

OhHiii said: "Kad said: "OhHiii said: "Kad said: "But according to posters on this board, Hadestown is almost about to close and has been for years!"

So you remind us all. Every. Week. Everyone clap for Kad. Good job, Kad.."

Then stop making the prognostication."

You act as though we've pondered this based on zero evidence. The show has most definitely lost money for several weeks at a time more than once over the course of its run. This is a grosses thread, where we talk about grosses and what they mean for the health of shows. Hadestown has had periods of poor health. We've said as much.

Now why do you take it so personally?"

Kinda seems like you're the one who took my comment personally, my dude. My comment was not aimed at you specifically because you aren't the only one.

The data is clear and I think a lot of people simply are drawing wrong conclusions from it. Hell, you can pull up a line graph of Hadestown's gross history from its first performance. You see a show that has ups and downs but consistently seems to be breaking even with a few exceptions that have yet to be sustained beyond a few weeks. Since it has already recouped, it is in position to weather those periods.

Get back to me when it's sustaining low grosses for a month or more.

People on here are quick to see a drop in grosses for a production for a week or two and immediately think the sky is falling. It's just not the case.

Hadestown will post closing for September.

Broadway Flash said: "Hadestown will post closing for September."

...did the producers' debate of when to close it get settled in the last hour?

chrishuyen said: "Kad said: "The data is clear and I think a lot of people simply are drawing wrong conclusions from it. Hell, you can pull up a line graph of Hadestown's gross history from its first performance. You see a show that has ups and downs but consistently seems to be breaking even with a few exceptions that have yet to be sustained beyond a few weeks. Since it has already recouped, it is in position to weather those periods."

Speaking only for myself, but I had thought the same thing about Phantom, Come From Away, and Dear Evan Hansen when they announced closing (which was shocking to me at the time). It seemed like theater owners were more eager to close shows that were "just" breaking even in favor of the newer shows in the pipeline that wanted to come in, so on the heels of those closings, I don't think it was unreasonable to think that Hadestown could possibly close soon, but it does seem to be holding on fairly well."

I pulled up the gross histories for DEH and CFA because I don't remember their circumstances.

DEH was doing extremely well pre-pandemic, but seemed to have a hard time rebounding following reopening. The summer of 2022 was in particular quite bad for it and I think, rather than gambling on a rebound, the producers just decided to cut their losses. CFA was not dissimilar- the summer of 2022 was really hard for it, and it looks like it had a long run of loss weeks. You have to remember that the 2021-22 winter was super rough for a lot of these shows- many canceled performances and the need to hire a lot more actor coverage, along with the additional cost of Covid safety and likely removed any sort of cushion these productions could've leaned on, and there was no telling whether another Covid surge would be just as bad.

Updated On: 2/20/24 at 05:19 PM

ACL2006 said: "Come From Away was forced out despite still breaking even in 2022. Take Me Out wanted to return badly and the Schoenfeld was their only option as long as CFA agreed to close. Otherwise, Come From Away was looking to close in January 2023."

One of the most crushing things to me was that CFA ended up just 3 performances short of DEH. I would've KILLED for even one more week for them.

I fully admit to being one of those people who thought Hadestown was on death's door multiple times. But I'm super impressed how the show has become a little Chicago with its stunt-casting replacements. It's proven to be more versatile of a show than I thought. I don't think it will turn into a Chicago-type run of course but it has some smart producers who have extended the show's run with some creative choices.