In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Just returned home from tonight's show. It was absolutely atrocious. Horrible in every way. The script was mostly laughable, the new songs mostly sucked, I couldn't wait for the "kids" to be killed off, and the chocolate factory was basically 3 blue walls. Augustus Gloop reminded me of Newt Gingrich. The best thing was intermission, and if I had had an aisle seat I would have walked out (like I saw two people do). The dancing squirrels were clever, but it you want to see a large rodent on a Broadway stage, head over to Groundhog Day.
Every part of this show made me want to vomit. I wonder if it will be popular this summer because of children wanting to see it? Will it last til the summer?
I watched the grotesque squirrel number in disbelief. If they don't cut it before the opening, it will enter Broadway annals alongside the pig's blood number in Carrie for sheer mind-numbing, jaw-dropping awfulness.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
After Eight said: "I watched the grotesque squirrel number in disbelief. If they don't cut it before the opening, it will enter Broadway annals alongside the pig's blood number in Carrie for sheer mind-numbing, jaw-dropping awfulness."
This, and also Violet's offstage death, brought gasps and murmurs and finally polite applause from the audience last night. The show is a 2 1/2 hour train wreck.
MizMamie said: "This, and also Violet's offstage death, brought gasps and murmurs and finally polite applause from the audience last night. The show is a 2 1/2 hour train wreck."
I was really surprised they cut Violet's number entirely (or at least that's what I'm lead to believe by recent posts of numbers) since it was one of the more memorable songs from the London version. They kept the other kids lackluster death numbers so it just feels.. off to cut Violet's.
The again considering how these reviews have been going I shouldn't be surprised about anything for this show.
I think an elaborately decorated theatre and glossy promotional campaign for a property that is remembered for an incredibly spectacular locale implies a lavish production, not one that wants the audience to use their imagination to fill in 2/3s of the stage.
They are clearly trying to cut the complaints off at the pass with these articles by altering expectations. That's the job of press people.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "I think an elaborately decorated theatre and glossy promotional campaign for a property that is remembered for an incredibly spectacular locale implies a lavish production, not one that wants the audience to use their imagination to fill in 2/3s of the stage.
They are clearly trying to cut the complaints off at the pass with these articles by altering expectations. That's the job of press people.
"
Indeed. Its offensive to each and every paying customer lurred into the marvellously over-decorated, flashing, beaming theatre to then expect them to 'imagine' a stage full of set and costume whilst providing the very bare minimum.
The elevator scene does look better than London but otherwise looks more like a touring set (which rumoured is what the design is for the uk tour). I found the London sets quite ugly and the chocolate room was especially disappointing but they were at least big and had had koney spent on them