Yes, the 1998 revival - directed by Sam Mendes, of "American Beauty" fame - was a huge financial and critical success. It ran for about 6 years, closing this past January. It received huge critical acclaim for "re-inventing" the musical Cabaret.
It was a very dark, sexy, dangerous production. Studio 54 was turned into a real cabaret space, with little cabaret tables and an open bar. The "fourth wall" of theatre was breached, and you really felt like you were in a 1930s cabaret in Berlin. And who could forget the Cabaret orchestra, dressed in character and playing above the stage?
Certain songs and characters received a completely new interpretation. For example, the role of Sally Bowles is immortalized on film by Liza Minelli, who sings it like a grand star. But in this revival, Sally Bowles was played by Natasha Richardson (who would win the Tony for her performance), who couldn't sing well - reinterpreting Sally Bowles, a lounge singer in a sleazy, rundown cabaret in Depression-hit Berlin, as a talentless floozy. As well, the iconic number "Cabaret" is turned from a celebration of decadence to a desperate, inescapable nightmare.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Updated On: 8/28/04 at 01:48 PM