#2
Posted: 8/28/04 at 9:32am
OHH!!!! i can answer the last part! sorry. ok. cabaret closed on January 4, 2004. the final cast included:
Emcee/Master of Ceremonies-Adam Pascal
Sally Bowles-Susan Egan
Herr Schultz-Tony Roberts
Fraulein Schneider-Blair Brown
others-Rick Holmes, Liz McConahay and Martin Moran.
Emcee/Master of Ceremonies-Adam Pascal
Sally Bowles-Susan Egan
Herr Schultz-Tony Roberts
Fraulein Schneider-Blair Brown
others-Rick Holmes, Liz McConahay and Martin Moran.
"People asking questions, lost in confusion. Well I tell them there's no problems, only solutions."
~The one and only John Lennon
#3
Posted: 8/28/04 at 9:34am
cabaret closed on january 4 of 2004 with adam pascal as the emcee and susan egan as sally bowles. it was considered on broadway, held at Studio 54, a theater with a nightclub like setting
it opened on March 19, 1998 and was the second revival of the show
some other closing cast members - tony roberts as herr shultz, blair brown as frauline Schneider, martin moran as ernst
there's a link for pics from the shows closing below!!
http://www.broadway.com/template_3.asp?CI=33243&CT=26
it opened on March 19, 1998 and was the second revival of the show
some other closing cast members - tony roberts as herr shultz, blair brown as frauline Schneider, martin moran as ernst
there's a link for pics from the shows closing below!!
http://www.broadway.com/template_3.asp?CI=33243&CT=26
"Nothing is an accident, We are free to have it all, We are what we want to be, It's in ourselves to rise or fall!!" - "Fortune Favors the Brave" from Aida - the love that never died
Updated On: 8/28/04 at 09:34 AM
#4
Posted: 8/28/04 at 9:35am
ponine you beat me!!! haha
"Nothing is an accident, We are free to have it all, We are what we want to be, It's in ourselves to rise or fall!!" - "Fortune Favors the Brave" from Aida - the love that never died
#5
Posted: 8/28/04 at 9:42am
yay! i win! lol. jk.
"People asking questions, lost in confusion. Well I tell them there's no problems, only solutions."
~The one and only John Lennon
#6
Posted: 8/28/04 at 1:36pm
AHH! How did I miss this thread? The revival Adamized and Ponine speak of opened in '98 and ran most of its run at Studio 54. I think there were two revials previous to the '98 one. I miss it so much.
Please, do yourself a favor and read a good synopis, or better yet, the book. Then listen to the cast recording. There's a lot to be taken from it.
That said, Adamized, your icon is making me cry!!! It's not farewell just yet - 11 shows left as of right now. I have a special icon I'm saving - I'm going to put it up after curtain on the 5th.
A work of art is an invitation to love.
That said, Adamized, your icon is making me cry!!! It's not farewell just yet - 11 shows left as of right now. I have a special icon I'm saving - I'm going to put it up after curtain on the 5th.
#7
Posted: 8/28/04 at 1:48pm
Yes, the 1998 revival - directed by Sam Mendes, of "American Beauty" fame - was a huge financial and critical success. It ran for about 6 years, closing this past January. It received huge critical acclaim for "re-inventing" the musical Cabaret.
It was a very dark, sexy, dangerous production. Studio 54 was turned into a real cabaret space, with little cabaret tables and an open bar. The "fourth wall" of theatre was breached, and you really felt like you were in a 1930s cabaret in Berlin. And who could forget the Cabaret orchestra, dressed in character and playing above the stage?
Certain songs and characters received a completely new interpretation. For example, the role of Sally Bowles is immortalized on film by Liza Minelli, who sings it like a grand star. But in this revival, Sally Bowles was played by Natasha Richardson (who would win the Tony for her performance), who couldn't sing well - reinterpreting Sally Bowles, a lounge singer in a sleazy, rundown cabaret in Depression-hit Berlin, as a talentless floozy. As well, the iconic number "Cabaret" is turned from a celebration of decadence to a desperate, inescapable nightmare.
It was a very dark, sexy, dangerous production. Studio 54 was turned into a real cabaret space, with little cabaret tables and an open bar. The "fourth wall" of theatre was breached, and you really felt like you were in a 1930s cabaret in Berlin. And who could forget the Cabaret orchestra, dressed in character and playing above the stage?
Certain songs and characters received a completely new interpretation. For example, the role of Sally Bowles is immortalized on film by Liza Minelli, who sings it like a grand star. But in this revival, Sally Bowles was played by Natasha Richardson (who would win the Tony for her performance), who couldn't sing well - reinterpreting Sally Bowles, a lounge singer in a sleazy, rundown cabaret in Depression-hit Berlin, as a talentless floozy. As well, the iconic number "Cabaret" is turned from a celebration of decadence to a desperate, inescapable nightmare.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Updated On: 8/28/04 at 01:48 PM
#8
Posted: 8/28/04 at 2:38pm
How could you all forget my dear Alan Cumming who opened the show as the Emcee and won a Tony for it?!?!
On a clear day I can see myself for miles ~Taboo
#9
Posted: 8/28/04 at 2:43pm
Of course I love ALAN!! He's on the '98 New B'way Cast Recording, and rocks.
A work of art is an invitation to love.
#10
Posted: 8/28/04 at 2:46pm
alan rocks!!!! he's my favorite emcee next to adam and raul.
"People asking questions, lost in confusion. Well I tell them there's no problems, only solutions."
~The one and only John Lennon
#11
Posted: 8/28/04 at 2:49pm
I wouldn't say that Natasha Richardson reinterpreted the role of Sally. The original Sally, Jill Haworth, was also a basically non-singing English actress. Really, their approach was the same. It was Liza who did the reinterpreting for the movie, turning her into a talented showstopper, as opposed to the hopeless amateur Sally really was.
Faced with these Loreleis, what man can moralize!
#12
Posted: 8/28/04 at 2:55pm
Correction noted.
And how COULD I forget Alan Cumming? I'm an idiot. Yes, Alan Cumming was breathtaking as the Emcee, completely deserving of his Tony Award! His was a wholely different interpretation from Joel Grey's mysterious, pixie/Puck-like, host with red slits as lips. Alan Cumming's startling Emcee (and the future Emcee performances for this revival) was a playful demon onstage, eery and completely sinister. It was hypnotic to watch him perform.
And how COULD I forget Alan Cumming? I'm an idiot. Yes, Alan Cumming was breathtaking as the Emcee, completely deserving of his Tony Award! His was a wholely different interpretation from Joel Grey's mysterious, pixie/Puck-like, host with red slits as lips. Alan Cumming's startling Emcee (and the future Emcee performances for this revival) was a playful demon onstage, eery and completely sinister. It was hypnotic to watch him perform.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Updated On: 8/28/04 at 02:55 PM
#13
Posted: 8/28/04 at 3:05pm
i never got to see this production.. but i do remember when it opened because it took over the space of one of my favorite clubs in the city (the former henry miller theatre)...LOL, it then moved uptown to "54"... i did get the revival cast recording. it's amazing. i think it was the first revival to actually incorporate the songs written for the movie into the stage version. i love what they did with "money, money".
#14
Posted: 8/28/04 at 4:06pm
And it was SO wrong to close this wonderful show.
QM
QM
'He really wasn't good as Fieyro. Is it just me or does he sort of come across as a pimp? Just...the hand motions I've seen him do and the attitude..not that Taye is a pimp.' - SallyBrown on Taye Diggs as Fiyero
#15
Posted: 8/28/04 at 4:08pm
aww *is happy with Alan!love*
*squeeee*
He gave it a heart and a demon-like quality. :)
*squeeee*
He gave it a heart and a demon-like quality. :)
On a clear day I can see myself for miles ~Taboo
#16
Posted: 8/28/04 at 4:12pm
Is the production still on tour? I know it's not the same without the many cabaret tables in Studio 54, but it's better than nothing. It still remains one of the best revivals I've ever seen.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#17
Posted: 8/28/04 at 4:13pm
Who was better, in your opinion:
Joel Gray or Alan Cumming?
Joel Gray or Alan Cumming?
#18
Posted: 8/28/04 at 4:18pm
I never saw Alan perform it live... nor Joel.
But from the *whispers* b**tlegs and movie, I gotta say DEF. Alan.
Joel would bounce around, he didn't give the Emcee heart like Alan could.
But from the *whispers* b**tlegs and movie, I gotta say DEF. Alan.
Joel would bounce around, he didn't give the Emcee heart like Alan could.
On a clear day I can see myself for miles ~Taboo
#19
Posted: 8/28/04 at 4:22pm
i have only seen the movie with joel grey and i liked his interpretation. i wish that i could have seen adam. *edit* that was supposed to come out as alan. heck, i wish that i could have seen both!
"People asking questions, lost in confusion. Well I tell them there's no problems, only solutions."
~The one and only John Lennon
#20
Posted: 8/28/04 at 4:56pm
I've only seen Joel Grey's movie interpretation too.
But I'd say Alan Cumming was the more interesting and memorable Emcee. He dominated the stage in a way I can't see Grey's Emcee doing.
But I'd say Alan Cumming was the more interesting and memorable Emcee. He dominated the stage in a way I can't see Grey's Emcee doing.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
Updated On: 8/28/04 at 04:56 PM
#21
Posted: 8/28/04 at 4:58pm
The character was totally different when Joel Grey did it. I was watching something on tv, and Joel said that when he did Cabaret, Emcee was more decidedly evil; he almost saw him as a representation of Hitler. In the '98 Revival, Cumming's incarnation of it was a lot more vulnerable. He represented so much more, and he had heart. I think that makes it kind of tough to compare.
A work of art is an invitation to love.
#22
Posted: 8/28/04 at 5:03pm
well put luvtheemcee..almost impossible to compare
But I won't live alone in a house of regret.
#23
Posted: 8/28/04 at 5:05pm
Thanks! I've read much on the subject - you know, when I was being a hermit and mourning the loss of such a wonderful piece of theatre.
A work of art is an invitation to love.
#24
Posted: 8/28/04 at 6:02pm
the only thing i like better about the movie is that the songs are sang well..there such great songs when there done well. i hate listening to natasha sounds horrible. even if it was how sally is suppose to sound.
#25
Posted: 8/28/04 at 7:32pm
Yes, it's hard to compare Grey and Cummings because the revival production had a different take on the show. The final moment for the Emcee in the revival is devastating - he becomes a victim of the regime - whereas Grey was basically an out and out Nazi.
That said, Grey's performance in the original was mind-blowing. It was seen to be so definitive that no one else was imaginable in the part. He was the only one of the original cast retained for the movie.
That said, Grey's performance in the original was mind-blowing. It was seen to be so definitive that no one else was imaginable in the part. He was the only one of the original cast retained for the movie.
Faced with these Loreleis, what man can moralize!
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