To the extent it is supposed to be an "immersive" experience, that's fairly common. Some other shows also do it because there is something in there they do not want you to know. (Wishful thinking nowadays, I would say.)
Blackbird did that as well, to hide the fact that there would be a third character in the play's final scene. (I think it was the final scene. If it wasn't, it was close to it.)
I had on stage seating for Xanadu on Broadway. They gave them out after to the people on stage at least. Probably so they wouldn’t drop it and have the actors break a leg while they were skating. The original male lead did break his leg during previews.
Seems to me that on stage seating for Spring Awakening also gave you the programs after the show.
I remember reading they used showbills. Was that the case for both Alan cumming runs?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Call_me_jorge said: "I remember reading they used showbills. Was that the case for both Alan cumming runs?"
At the time of the original production at Studio 54, the Roundabout was using a Playbill-produced program with the header "On Stage," not Showbill (another Playbill imprint). By the time of the revival it was a normal Playbill.
east side story said: "Except that it doesn’t. Studio 54 used Stagebill in the early millennium. It was around the time that Brooke Shields was playing Sally."
“And this brings us to Cabaret. There's been a lot of bruhaha over the distribution of Playbills for the Roundabout production. It seems that the artistic team behind the production only wish to issue the programs as patrons of the Kit Kat Klub are leaving. Well, that didn't sit right with Playbill and I don't blame them for pulling the plug by providing them with free Playbills. They were essentially denying Playbill's advertisers exposure. Cabaret is being presented in an environmental setting and the creative team want patrons to feel as if they are in a sleazy night club in Germany in 1930. To me, it's a bit silly, this whole issue of the program. I, for one, want my Playbill when I enter the theater, night club or not. I know where I am when I go to the theater, and I love to sip my drink while perusing the cast list or burning my brain for three seconds. To have their complete environmental setting, Roundabout will have their way by opting for a "Showbill" to the tune of $1300.00 a week. Pretty hefty for a production company like Roundabout which hardly has a cache of money lying around. However, that's their business and I see Playbill's point of view and agree wholeheartedly with them even though my collecting habits are in disarray.”
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
HogansHero said: "east side story said: "Except that it doesn’t. Studio 54 used Stagebill in the early millennium. It was around the time that Brooke Shields was playing Sally."
On Stage, not Stagebill or Showbill."
Do a Google image search for “Brooke Shields Cabaret.” They certainly used Stagebill at one time.
They are doing this at Bedlam's Peter Pan as well, at least at the performance I saw. I thought it helped with the immersion, and I wasn't flipping through my playbill to see who's who the whole time.