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#1

Can You Identify This Poster?

Can You Identify This Poster?

Triton recently received some original poster sketches from the estate of illustrator Frederic Marvin, who passed away in January.

Among the artwork was an unused submission that we cannot identify. We have attached the image here and are hoping that someone in the Broadway world might have a guess. (We have some guesses we'll share later). Based on the other sketches in the collection it is safe to date it sometime in the 1970's, maybe 1980's.

Thanks for your help.

#2

Can You Identify This Poster?

Finians Rainbow?
''With the number of people I ignore, I'm lucky I work at all in this town'' - Helena Bonham Carter
#4

Can You Identify This Poster?

Funny with the subject thought it was going to have to do with identifying
a troll. :)

"I hope your Fanny is bigger than my Peter." Mary Martin to Ezio Pinza opening night of Fanny.
#5

Can You Identify This Poster?

Are you sure this is a Broadway poster. The image seems very familiar to me. But my feeling is that I've seen some version of this on record album cover or a book cover.


Art has a double face, of expression and illusion.

Updated On: 2/1/13 at 02:31 PM

#6

Can You Identify This Poster?

.

Art has a double face, of expression and illusion.

Updated On: 2/1/13 at 02:31 PM

#7

Can You Identify This Poster?

There is some album cover art in the collection but it is all 12 x 12. This is 14x22. If it is an album cover it would be a unique size.
#9

Can You Identify This Poster?

I don't see Finian's Rainbow except for the presence of a rainbow. And rainbows were on many things, art-wise.
#10

Can You Identify This Poster?

It looks like some kind of Alice in Wonderland Jazz show to me. With a butterfly.
#12

Can You Identify This Poster?

Yeah, I don't get FINIAN'S RAINBOW. To me it looks vaguely turn-of-the-century, and seems to have something to do with jazz (or at least music of some kind).

DOCTOR JAZZ begins in 1917, and is the story of a black singer-dancer who goes from New Orleans to Harlem to Broadway, under the guidance of a white man. I can see all that in this design

The final poster seems to have been by the show's production designer, Raoul Pene Du Bois. Possibly that was a last-minute decision? That would also make a discarded design make sense.

But I'm just guessing.



Updated On: 2/1/13 at 03:23 PM

#13

Can You Identify This Poster?

The top female face looks rather Angela Lansbury-ish to me.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#14

Can You Identify This Poster?

I thought so, too, so I originally thought PRETTYBELLE, but the other visuals didn't seem to support that.
#15

Can You Identify This Poster?

It struck me as a young Maggie Smith. But that didn't lead me anywhere.
Art has a double face, of expression and illusion.
#16

Can You Identify This Poster?

Hmm. It know it's from the estate of Frederic Marvin, but I think that's a red herring - I say it's an Al Hirschfeld design for the Finian's Rainbow movie, and the girl pictured is Petula Clark. An uneducated guess which probably doesn't make much sense, but it's a fun game.



Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$

Updated On: 2/1/13 at 07:27 PM

#17

Can You Identify This Poster?

I'd say Doctor Jazz as well. That definitely looks like Lola Falana on the bottom.

....but the world goes 'round
#18

Can You Identify This Poster?

I immediately thought of Doctor Jazz as well.
With Irma you gotta do something!
#19

Can You Identify This Poster?

Can You Identify This Poster?

Similar concept.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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