If anyone is seeing this, could you please post the running time for the show? I was going to put this on my short list of possible shows to see during my vacation, but I can only fit it in a Matinee slot before a 5:00 showing of "Here Lies Love", so I would need this to be two hours or less to be able to see it.
Keep in mind that they may be making cuts during previews, so choitoy, keep checking here and hopefully as people see the show they might be keeping tabs on the run time. (I've got no idea how long it is, for the record.)
I just returned. I adored it and think it's a tremendous effort from Fierstein. It will only get better with time and polish. A few bumps with lines tonight from some of the older veterans, but that happens. They carried through like troopers.
It runs 2.5 hours. I imagine that will be trimmed by 15 minutes.
Patrick Page is doing wonderful work. But it's Reed Birney who is truly astonishing. He completely disappears into "Charlotte". It's a tour-de-force performance.
"I know now that theatre saved my life." - Susan Stroman
Harvey, clear your mantle. He's been a Tony contender for Newsies & Kinky Boots In recent years, but Casa Valentina is the best work you've done in quite some time and this gem is the far and away the best new play on Broadway this season. Sure, it's a weak season, but this play resonates deep. There could not be a better ensemble gathered than what is onstage at the Friedman right now. Patrick Page, Mare Winningham & REED BIRNEY give the most fully realized performances, but it's Reed who fully envelops and loses himself into the world at CASA VALENTINA. I smell a featured actor Tony for this truly indelible performance. Every single character has been given a through line, and a purpose and each ensemble member embraces their difficult tasks, what these men are doing and the story they've been asked to tell, isn't easy. Some people will be shucked that this world even exists. It's not Za Za or Lola that Harvey has written, but a unique world in the 1950s that in this fascinating. He's had a long career, but as Greenberg was to Take Me Out or McNally was to Love! Valour! Compassion! Fierstein is to Casa Valentina. It just feels like that kind of an evening in the theatre. Credit must also be given to Joe Mantello for staging that has touches of sincereity and clarity.
It ran 2 and a half hours tonight exactly. I could maybe see 5-10 minutes being shaved, but it's truly worth the price of admission...and it's the only time I've felt that for a straight play this season. Velocity Of Autumn is the last play I will be seeing this weekend for the current season, but CASA is the play that left me most satisfied so far. 4.5 stars out of 5. Bravo!
Glad to hear the good reports. It sounds like Harvey has been wanting to explore this subject for a while. According to reports, he tried to explore it in KB but the Lola he wrote was hijacked and transmogrified.
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
Indeed macnyc, that's the entire specific crux of the play and a rather important one. I can't venture to say many who will see this work will probably have spent much time thinking about its themes in everyday life, which is why it' will resonate much deeper than on first glance.
There were a few minor line struggles from a couple of the actors, but that's quickly forgiven seeing as how it was the first time this play was ever being done in front of a full audience.
John Cullum has the look of a gentile older woman. The costume, make-up, hair design on everyone is authentically vivid.
Good lord, Reed Birney absolutely becomes Charlotte...if I didn't know any better, I could've sworn it was an actual woman. I spoke with the hair and makeup artists after the show and they said it had taken multiple tries to get that look down.
Page is fantastic, as was Tom McGowan. Gabe Ebert is so adorably awkward and his arc is one of the most painful. Was so happy that Nick Westrate's Gloria turned out to be a more fully realized character than I thought upon her intial entrance. John Cullum steals his scenes (he looked just like any a great-aunt I have), and I'm sure he and Larry Pine will become much more solid as the show continues on.
Mare Winningham really has some wonderful material and never forces any histrionics, instead grounding Rita in her never-ending task of being both wife and "mother" to her husband and their friends.
All in all, a very entertaining night of theater and an interesting look into the culture at that moment in time.