Since the other thread was deleted thanks to Jordan making F-bombs - I don't mind saying it here. I have huge sympathy for Jeff and his family but an actor who commits suicide because he is fired from a Broadway show obviously had some other serious mental and emotional issues going on. To simply say this is the fault of a director and musical director bullying an actor in the rehearsal room seems off base to me.
My best thoughts go out to Jeff and his family and a circle of friends who clearly loved him.
“I knew who I was this morning, but I've changed a few times since then.”
Oh your sympathies go out now, sweetheart? A few minutes ago on the deleted thread, you were singing a different tune. And they don’t delete threads because I told you to f*ck off, they delete comments.
Actors are constantly abused by directors and producers. It's a type of behavior that needs to stop. If you're a good director, you don't need to stoop down to emotional abuse to get a good performance. It's been going on for too long. Actors are sensitive, emotional people. They work best in an environment that nurtures that. This is just so sad and it's tragic how this seems to have really been swept under the rug. I'm over the entertainment industry being a place where things like sexual assault, harassment, and emotional and physical abuse are acceptable.
Oh shut up, <<edited by BWW staff>> and let me mourn the loss of my friend. Next time someone you know dies you let me know and I’ll be sure to publicaly post about how it’s not a big deal and they were just being dramatic.
Jordan - with all due respect - this a chat board where people should be allowed to discuss their opinions. It's not a therapy circle. I'm sorry for your loss, but I really take offense to how you've been talking to me in this and other threads. I should be able to state my opinion without being constantly attacked by you.
“I knew who I was this morning, but I've changed a few times since then.”
Well, I'm quite pleased (relieved) that this thread has been unlocked. My plea was heard. I was worried there for a while. In the meantime, use your words judiciously and try to dispense with the name calling. It will not accomplish anything at all. Just agree to disagree.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
SmokeyLady said: "It will be interesting to see how this all unfolds. Just curious as to who the other actor is that still has a run of production contract?"
My guess, and it's just that, a guess, is Donna Marie Asbury, given how long she has been with the show.
Hey Smidge! I don't think that there is anyone else in the current cast with a run of production contract. I believe Donna Marie Asbury began her Broadway run in 1999. She has mentioned that she wants to complete 20 years with Chicago. Hopefully, she can accomplish that. With regards to musicians, Leslie Stifleman has been with the beginning of the revival, starting as a pianist.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Asbury hasn't been with the show since the begining. She started with the first national tour and moved into the Bway producrion as a replacement. She's been with the show for nearly 18 years.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Patti LuPone FANatic said: "Hey Smidge! I don't think that there is anyone else in the current cast with a run of production contract. I believe Donna Marie Asbury began her Broadway run in 1999. She has mentioned that she wants to complete 20 years with Chicago. Hopefully, she can accomplish that.With regards to musicians, Leslie Stifleman has been with the beginning of the revival, starting as a pianist."
The blog explicitly says there is one other cast member with a run of show contract. That’s why they asked.
ACL2006 said: "Asbury hasn't been with the show since the begining. She started with the first national tour and moved into the Bway producrion as a replacement. She's been with the show for nearly 18 years."
Would you have to be an original cast member to get a run of show contract? I’m unaware of how those things work, but she’s definitely the cast member who’s been there the longest at this point.
I was actually curious why the director was called in at this point unless there was some financial burden or an actor was being unprofessional. Otherwise, why not just let things be?
It does sound like they were trying to fire him. For anyone that has seen the show this week, is there a new Mary Sunshine standby? It's a shame Chicago hasn't made a statement about his passing, but maybe for legal reasons they can't.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
This is a tragedy- Period. That being said, for Bobbie or Leslie to masquerade behind the integrity of the show argument is a crock- I say this as someone who has bought in to many of the stunt casting changes over the years- If Leslie can follow the likes of Wendy Williams, Melanie Griffith, and even Scary Spice, the latter of which made quite a stir the last time she was in for her ad-libs, she can certainly follow a seasoned professional and veteran of the biz. It also doesn't help their defense that Amyra, Charlotte, Tom, Donna, and even D. Sabella all of which are stars, have been there forever and they recycle tour cast members into the production frequently- who is complacent, it is incredibly rare that any new blood hits the boards of the Ambassador if they haven't had a failed sitcom or were a member of a 90's pop group! Also, if, as Leslie claimed, he always did the part wrong, why was it never in a show report- all SM's have to do one after every show, this has singled out written all over it- and any HR Director would tell Mr. Bobbie it is not professional to discuss salary with any other member of staff- it's tacky behavior at the least and illegal at most. #justiceforJeff
Essentially all initial ensemble/chorus contracts are run of the play - meaning that those performers have to be bought out of their contracts if they aren't terminated for due cause. I frankly have always found this a bit ridiculous when you consider that, for example, at WICKED the producers have had to buy performers out of their contracts, simply because those performers have aged out of believably playing students at Shiz. But that is, indeed, what they have had to do. It's hard to believe the Weisslers, who have made millions off of CHICAGO would balk at paying $30,000 to end a 'run of the play contract' - I also find it hard to imagine a performer who has been with a show for 20 years wouldn't immediately 'know' what's up, and contact AEA and bargain for some large settlement to leave the show. Frankly, none of this makes sense to me. Jeff's suicide is a true tragedy, but none of this adds up to me.
“I knew who I was this morning, but I've changed a few times since then.”