"I watched the stream of the 92Y interview and I'm definitely looking at the design aspects a little differently now after hearing Des talk about why they made some of the choices they did. I don't think a lot of the intended metaphors are coming across like they'd hoped but it at least makes more sense now."
I feel exactly the same about it. I stumbled across the livestream link yesterday and when I watched it, it really made me reflect the preview I saw a month ago (which I haven't really given detailed thought afterwards until now).
While I found the show to be flawed, I am in the minority of people on this board who sincerely enjoyed it. The biggest trouble I had with it was the character development which could have been done much better. I have never read the novel nor have I seen the movie and I appreciated that they made the story "accessible" for people who are not familiar with it (much like Les Mis simplified its plot for the stage version) but the book did not always work.
There was too little of Lara and Yurii falling in love, they just suddenly were. I enjoyed the fact that they did not exclusively focus on the love story but devoted such a huge amount of time to the war story, but subsequently, we did not actually see the love grow. It is possible to not make a love story the main focus of your story but still show how they fell in love and how their feelings developed.
But I (as somebody who did not know the story before entering the theatre) thought they did a fantastic job at exposition. I LOVED the opening sequence and the conflict it hinted at ("Two worlds - the oppressed, the elite - and never the two shall meet") and part of why I enjoyed the evening in spite of all the flaws was because the first scene immediately drew me into the story and I felt really hooked and was excited to see how things unfold.
I was also quite impressed with the set, actually. Sure, they could have done without some of the projections, and I did not fully understand the concept behind the ballroom setting when I saw the show, but I found it aesthetically interesting and am glad Des McAnuff gave more insight now.
I really hope the cast recording will actually be made. I really liked the score at first listen and would love to hear it again. This show would have needed a lot more rework before opening on Broadway because it did not feel quite "finished", but it is filled with many really clever ideas (which do not always come across, as CATSNYrevival pointed out) but I wish people would approach it with a more open mind because Doctor Zhivago actually offers some really good elements.
I did not leave the theatre thinking this show might become the new blockbuster people will talk about for decades to come, but never for one second did I think "Wow, this show is one hell of a trainwreck." I actually enjoyed it more than The Visit (which might be more well-rounded artistically but I still had a better time at Doctor Zhivago).