DRS vs. Spamalot - true bway lovers

Okay, I've seen DRS, and I absolutely loved it. Now although I haven't seen Spamalot, I own both cds. I can definitely say that owning both cds before I saw either show, I still loved DRS way more. I never got into the Spamalot cd. Anyways, what I'm wondering is - to all your bway obsessive people like myself - is DRS a more true broadway show? I get the feeling that Spamalot is just popular because of the comedy, celebrities and monty python fame. I know people who have seen it who rave about it, but they've also never seen DRS or in some cases any other show. I don't really know. I'm having a tough time deciding whether I even want to see Spamalot at all - because I could sure go for another round of DRS!

Does it matter? I can love Spamalot and love DRS (and I do love both for their own seperate reasons).

I think that "bway obsessive people" would be open to seeing any show. But do whatever you want, go and see DRS again, whatever.

Oh, I wasn't responding to you, Diva, I was agreeing. They don't need to be compared.

I would never compare Spamalot to DRS, really on any level. They are two completely different types of shows.

And just listening to the Spamalot CD doesn't really do it justice... it's more visually comedic

Agreed on both points, Diva. I've seen and enjoyed them both, but they're very different. As it happens, I also purchased both OCRs. Not only does the Spamalot recording suffer a bit for missing the visual comedy accompanying the songs, in some cases it suffers from a lack of dialogue to set them up (particularly egregious in the case of "His Name is Lancelot", IMO - missing out on Hank Azaria's harangue, and Chris Sieber's response, makes the song seem to come out of nowhere, instead of being the payoff of a very funny buildup). However, I still love it (probably more because I saw the show), and prefer it to the DRS recording - I'm not saying that to compare the two, but rather to point out that it takes more than hearing the songs to come to a conclusion about how enjoyable the show is (if I'd only heard the music to Spelling Bee, I probably wouldn't have wanted to see the show at all - and I still don't think the songs are the Bee's strongest point - but I found the show enjoyable nonetheless).

I'm also a bit uncomfortable with a possible implication of the subject line...that a "true Broadway lover" would inevitably prefer one to the other. That isn't fair to either show, both of which were strong in their own ways.

Updated On: 12/25/05 at 12:48 PM

I also saw both and IMO DRS was better on EVERY level.

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Updated On: 12/25/05 at 12:50 PM

I didn't mean to offend anybody by saying that "true broadway lovers" would prefer one over the other. I was just wondering if the feeling I got from Spamalot cd/reviews and such was true. All I'm saying is that I got an inkling of a feeling that Spamalot was loved by so many because of its name, but not the quality.

I honestly wasn't trying to say that anyone had to pick one over the other, or that one was a true show and one wasn't. I just don't personally know many people who love broadway shows as much as I do and have seen Spamalot to give me a valid review. Thats why I asked you guys.

Sorry if I offended anyone!!

Updated On: 12/25/05 at 01:13 PM

I saw both as well, and I enjoyed DRS more, but I enjoy the cast recordings equaly. But I wish they had the dogs yelp when the bellhop steps on it during "Here I Am".

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>DRS was better on EVERY level.<

If one is going to compare everything, I think Spamalot is beautifully designed. Scoundrels has a lot going for it, but I can't say that I found it gorgeous to look at. It's a little chintzy looking, and everything seems dipped in blue.

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You really should see both. Like everyone is saying, Spamalot is a show you need to experience at least once. DRS, however, definately calls for repeat viewings.

As for the DRS backdrops, everything is covered in diamonds to match the glitzy feel of the show. Spamalot is all over but very creative nevertheless.

sara's gone, so now what?

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I don't think either one is more Broadway than the other. They're both comedies based on movies and they're both musicals. Now, for myself, I don't like DRS very much. I think its alright but the music is something I don't enjoy and never listen to although I've seen the show several times (3...and I don't need to see it again.) Spamalot on the other hand I could see over and over (I've seen it 6 times) and it has nothing to do with the "celebrity" factor because I've seen it with and without every one of the celebrities who have been in it. For me, I just think its more enjoyable. However, both of them are light comedies which give people a good laugh and help them leave feeling good and happy so I think they're equal in that sense.

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Music and lyric wise... DRS is a much more inventive score.
It's written a lot better.

DRS requires much more attentive listening, which is the kind of musical theatre I prefer... (and the direction I think Broadway should he going...)

Spamalot is a visual show, and you just have to sit back and enjoy..

Goodtimes..

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*Shrug*.

He has a very clear musical style. I still think it is far superior to Spamalot's bland "it's a musical" songs.
It never rises above mediocre for me.

I do like Full Monty a considerable amount more than DRS, though I love both.

I just love Monty a little bit more.

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