I am very grateful the Times did this. I LOVE stuff like this. So interesting.
I personally like the 3rd poster that they show the best. I love the center image with the woman, and would have loved to have seen it with production photos in the background.
I really like the final poster art -- I find it a terrific blend of the old and modern, and a near perfect representation of an era of "change" that the show (and the novel) represents. And it's certainly better than a lot of other Broadway advertising graphics these days (I'm looking at you, Neil Simon Plays).
But I also find it very interesting that a number of the rejected ideas would have worked great as well. Updated On: 9/13/09 at 06:07 PM
"You have two kinds of shows on Broadway – revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for The Lion King a year in advance, and essentially a family... pass on to their children the idea that that's what the theater is – a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar.... I don't think the theatre will die per se, but it's never going to be what it was.... It's a tourist attraction." Stephen Sondheim
#2 & #5 are the best. The one they picked is still the worst.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I love the 3rd one. How original for a period piece. It probably doesn't suite the production as well as the one they have now, but I think it's really interesting and def. would have caught a few eyes.
What a wonderful feature... I'm still a fan of the final decision, but I think any of those pieces are suitable. I love that this is one of the few Broadway posters I can think of that could stand on its own as a piece of art. I'm also glad to see a Broadway poster that is creative, as opposed to a headshot of whomever is starring in the show. I'm very excited to see this production.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I can't stand the OBC artwork, but the first flag one shown in that feature is my favorite. I love the simplicity, and that it uses the flag without being so obvious about it. I do really like the artwork they settled on, though.
I also think they picked one of the worst sketches for the artwork. personally, I think they should have gone with the first flag one. The one they picked just looks like something exploded.
"What a mystery this world. One day you love them and the next day you want to kill them a thousand times over." The Masked Bandit in THE FALL
The 2nd one was the best. I think the final artwork is WAY too modern.
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
Gaahh...New York Times, I love you. I live for features like this.
#3 is quite striking. I agree with the way Kyle put it--it's the artwork that most makes me feel like I really need to see this show.
But I do like the final product. The artwork on its own is terrific--elements like the Obama-era "HOPE" button among all the early-1900s paraphernalia instantly make a case for the show's relevance in 2009. The only thing bugging me is their treatment of the title...the "big-small-big" lettering looks a little too funky to me.
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)
The final one doesn't really flow and seems off-balance. It reminds me of the latest Time Out New York cover.
"I mean, sitting side by side with another man watching Patti LuPone play Rose in GYPSY on Broadway is essentially the equivalent of having hardcore sex." -Wanna Be A Foster.
"Say 'Goody.' Say 'Bubbi.'" ... "That's it. Exactly as if it were 'Goody.' Now I know you're gonna sing 'Goody' this time, but nevertheless..."
The final one doesn't really flow and seems off-balance. It reminds me of the latest Time Out New York cover.
YES. That's what it reminded me of. I still like it.
(Incidentally, I think a nice shout-out to "Ragtime" was included in that cover art...?)
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)