Gaahh...New York Times, I love you. I live for features like this.
#3 is quite striking. I agree with the way Kyle put it--it's the artwork that most makes me feel like I really
need to see this show.
But I do like the final product. The artwork on its own is terrific--elements like the Obama-era "HOPE" button among all the early-1900s paraphernalia instantly make a case for the show's relevance in 2009. The only thing bugging me is their treatment of the title...the "big-small-big" lettering looks a little too funky to me.
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)