This isn't the greatest piece of theatre, but it's far from the mess I was expecting considering it's NYC reception. They have re-tooled the first 20 or so minutes and it seems to be slightly for the better. There's a new opening number "Welcome to London" which does a good job pushing the need for Barrie to write...but the new solo for Barrie is absolutely awful. It’s called “My Imagination” and it includes what appears to be a Google Earth projection of the London rooftops. I actually laughed out loud at them.
Things get much better from there. Christine Dwyer, Kevin Kern, and Tom Hewitt are spectacular. They all improve on the bare bones book and are in excellent voice. The production is beautifully designed (other than the projections). The score is still uneven. You have excellent numbers like “All That Matters”, “When Your Feed Don’t Touch the Ground”, “Play”, and “Neverland”, but then you have clunkers like “Live By the Hook” and “Stronger”. The end of act one is completely absurd. Well staged, but absurd. Why does Hook basically sing “Find Your Grail” to Barrie? It becomes some ancient melodrama, ripped shirt and all.
I thought the real star of the show was Paulus’s staging. The moment when the boys fly for the first time was breathtaking. The final image of Sylvia left me shattered. I wanted more of these moments and less of the crappy projections. Overall the staging, in particular the second act, shines. The material is still dragging the production down.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards