Yazbeck has written one other show. He has said himself he doesn't even want to be considered a composer of musicals. But he's found a niche in musical theater that's making him a lot of money, so I think we'll be hearing more from Yazbeck. And besides, Scoundrels works better on stage than on CD. I like him, don't get me wrong. I don't know Full Monty very well though. Maybe he should be writing The Princess Bride musical :P But I guess he's hardly payed his dues to "deserve" any awards.
I mean I'm not saying Guettel has had 80 shows that have been looked over, but Piazza's a really good score. It deserved what it got, and it deserves this too. I think it will outlive both Dirty Rotten and Spamalot.
I'm such a shill for Light in the Piazza :P But if you prefer Cabaret pastiche songs (DRS) to really really good music that works really well for background music, than that's you.
yr ronin,
joey