Fosse76 said: "Ke3 said: "EDSOSLO858 said: "I wonder if we"ll see more of this. Producers taking the plunge on live captures themselves and then hoping the ravenous "content" appetite will land them a buyer." That's what Hamilton's producers gambled on. But you need a "hot" property for that to pay off (which they did). We'll never know if it paid off for Disney, though, but for sure Girl from North Country won't sell for anywhere near what Hamilton commanded."
This is how the vast majority of the filmed stage productions of shows work already.
1) The filming deal is brokered between the creatives/rightholders by the producer.
2) It's funded by a group of investors (who may or may not already be involved with the Broadway production).
3) The producer then finds distribution –– be it a streamer who buys it in a negative pickup deal, or if it's licensed to someplace like Great Performances or Fathom Events or Broadway HD or whatever.
Like you say, most shows will not be anywhere near as hot as HAMILTON (in any capacity). Content "paying off" for a streamer is all based on internal metrics. Every property's success metrics will be different, and the streamers don't share that with the public.
I was going to suggest that Peacock (NBCUniversal) would be a good home because Universal Music owns the Dylan catalogue now –– but Uni Music is separate from NBCUni so that wouldn't be a factor. I really don't know that this is going to be desirable for anyone. It's not like Dylan himself is involved with it, and the Broadway grosses cannot substantiate the value of the property.
Updated On: 5/16/22 at 04:30 PM