Opening Number: A (I loved it, but I admit I'm a sucker for those awful opening medleys the past few years)
HOW TO SUCCEED: A (LOVE Ellen Harvey, so glad she got to perform her solo. This number proved how much Daniel Radcliffe deserved a nomination)
CATCH ME: B (It should've just been Nobert, the awkward Tveit opening was unneeded. It came off very 'oh you're the star but you're not nominated, sorry". Norbert rocked it, and proved why he deserved the Tony later that night)
SCOTTSBORO: B+ (I loved the choreography to the 'Hey Hey Hey' section, and enjoyed the whole performance, but it got a little tired by the end. I don't know if the song was the best choice, most people I was watching with got quite bored)
SISTER ACT: A (The most energy of the night. It's a real shame this show couldn't have opened last year, where it could have won tons of awards including the big one. Patina Miller's mic was off though)
MORMON: A+ (The best performance of the night. Andrew Rannells is fantastic, and I loved that they included the black solider section.)
COMPANY: C (Enjoying seeing all of the cast up there, but that choreography is just plain awful)
ANYTHING GOES: A (It's a shame they cut the "Times have changed" section for the awards, and sped up the tempo ungodly. But Sutton & company still rocked it, and proved why they won the three awards they took home last night)
MEMPHIS: F (The only appealing part of the show before was Montego's voice, which now seems tired by her use of head voice. Chad still resembles a slightly challenged individual when he sings)
and SPIDER-MAN: B (I enjoyed the performance. The song is good, and Jen sounded fantastic. If Reeve learned to open his mouth he might have sounded better. They should've done 'Say it Now')
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards