Billy Elliot Les Miserables The Phantom of the Opera Sunset Boulevard Cats Blood Brothers Matilda Oliver Mamma Mia We Will Rock You Evita Ghost Honk Jerry Springer Kiss of the Spider Woman
"Great"..is up to debate. These are just from the top of my head.
Sandy Wilson's 1953 "The Boy Friend," starring Anne Rogers. When it opened on Broadway the following year, it starred Julie Andrews in her American stage debut. Ken Russell's 1971 film version starred Twiggy. Talented ladies, all.
STOP THE WORLD I WANT TO GET OFF and THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD both fall in the good-not-great category.
And, of course, pretty much anything by Gilbert & Sullivan, but their shows were called "operas" in their day.
Noel Coward and Ivor Novello wrote some lovely individual songs, but I haven't encountered a show by either that I would call "good", much less "great".
I know it may technically be true but Spider Woman is not what I think of when I hear West End musical. Famed Broadway director, writers, star. Spider Woman was a Broadway Musial paying rent in and presented to west end audiences, that’s all.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
devonian.t said: "Oliver! has a horrible book. It is far from great.
If you like The Boyfriend, try Valmouth by the same writer- just as tuneful but with a wonderfully saucy and subversive book."
I've only seen OLIVER! once on stage, in London in 1979 (IIRC) with a couple of the stars from the film. I agree the book is problematic. As somebody pointed out in another thread recently, it doesn't always juggle the two moods (cute/light and dark) of the show successfully.
But we are talking musical books here. There are only a handful of great ones and mere dozens of good ones. I don't agree that the book to OLIVER! is "horrible". Especially not compared to almost every other attempt to musicalize Dickens.
I could say as much about THE BOY FRIEND, but it does have a nice sense of style along with catchy tunes. I'll check out VALMONT if it comes around...
In general and despite some strides in the past few decades, I don't think the "British musical" is one of the island's great contributions to world culture. For most of the 20th century, they had the gays, but lacked the Jews and African Americans.
I have a soft spot for Grab Me a Gondola, a 1956 West End hit that ran 673 performances but is now largely forgotten. Not necessarily a great musical but so much fun. How can you not love a production number extolling the virtues of mink bikinis or the shapely film starlet who's "Cravin for the Avon".
I have to put in a vote for Valmouth, as well. Brilliant campy fun, and unexpectedly moving...there is nothing like it. Both recordings are good, though I would opt for the Chichester revival. It has several of the original leading ladies, but caught 25 years later, when they have aged into their roles beautifully. And as much as I love Cleo Laine on the first recording, Bertice Reading is amazing on the newer one. There was also a BBC radio version floating around, which has a generous helping of the wicked dialogue.
My other serious contender for great West End musical is Robert and Elizabeth. Great story, and beautiful lush music, which is served beautifully by the original cast recording (in this case, avoid the Chichester revival recording...there are some fine things on it, but it doesn't outdo the original).
Agree with most of the suggestions so far, although i will never understand why The Boy Friend achieved such success, although I do admit to enjoying Ken Russell's movie in the early 70's, especially Glenda Jackson's hilarious almost-cameo as the injured star.
I would also add Half a Sixpence. Fifty-two years later, it remains one of the most joyous shows I have ever seen, in some part due to Tommy Steele's incredibly charismatic performance as Arthur Kipps. I have never understood why they eliminated the best number from the original production, The Party's on the House, when the revived it a few years back.
I really enjoyed Andrew Lloyd Webber's THE BEAUTIFUL GAME when I saw it in London. It had some great melodies (some of which ended up in other ALW shows or programs). I think the show was too UK-centric to catch on over here.
I also enjoyed SPEND SPEND SPEND (1999) with Barbara Dickson. It was a lot of fun, but the subject matter was too British; true story of Viv Nicholson...who won the pools. Nobody here knows about the pools...sort of a British lottery.
In 1994, a big, bombastic telling of the NAPOLEON story opened in Toronto and I thought the cast album was fantastic. In 2000, it opened in the West End but, to me, there was just no spark. Listening to the Toronto cast recording was a better experience than watching the London production of the show. Some truly gorgeous ballads...
Lord of the Rings Zorro Everybody's Talking About Jamie Buddy Mrs. Henderson Presents The Hired Man Moby Dick Soho Cinders Calendar Girls Mary Poppins Chitty Chitty Bang Bang Our House
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
qolbinau said: "I know it may technically be true but Spider Woman is not what I think of when I hear West End musical. Famed Broadway director, writers, star. Spider Woman was a Broadway Musial paying rent in and presented to west end audiences, that’s all."
I mean, if you were to count Spider Woman as a West End Musical, you also say it is a great Canadian musical by having its major first production in Toronto.
"Ok ok ok ok ok ok ok. Have you guys heard about fidget spinners!?" ~Patti LuPone
HereAndThere2 said: "Sandy Wilson's 1953 "The Boy Friend," starring Anne Rogers. When it opened on Broadway the following year, it starred Julie Andrews in her American stage debut. Ken Russell's 1971 film version starred Twiggy. Talented ladies, all.
" aww I love The Boyfriend but sadly I think it’s often overlooked because of the meta style of the film.
Theres a great version of Nicer in Nice oh Hey Mr Producer. I’d love to see a big revival.
MichelleCraig said: "I really enjoyed Andrew Lloyd Webber's THE BEAUTIFUL GAME when I saw it in London. It had some great melodies (some of which ended up in other ALW shows or programs). I think the show was too UK-centric to catch on over here.
I also enjoyed SPEND SPEND SPEND (1999) with Barbara Dickson. It was a lot of fun, but the subject matter was too British; true story of Viv Nicholson...who won the pools. Nobody here knows about the pools...sort of a British lottery.
In 1994, a big, bombastic telling of the NAPOLEON story opened in Toronto and I thought the cast album was fantastic. In 2000, it opened in the West End but, to me, there was just no spark. Listening to the Toronto cast recording was a better experience than watching theLondon production of the show. Some truly gorgeous ballads..."
The Beautiful Game was about ‘the troubles’ in Northern Ireland and given Bill Clinton’s involvement in the peace process and the Irish diaspora I thought people would know about the war in Ireland.
A new musical I’m hoping will be good with a very important subject matter
https://sohotheatre.com/shows/the-view-upstairs/
A provocative new musical, The View UpStairs is inspired by the true story of the 1973 arson attack that the largest single attack against the LGBTQ+ community until the Pulse Nightclub shootings in Florida in 2016. Filled with a collection of beautiful love songs and power rock ballads, this is a musical about friendship, community, how far we’ve come and how far we still have yet to go. It is a story of hope; and it’s a rainbow rollercoaster you do not want to miss.
Don’t know if I should start a new thread or if you have any interest.
Also SIX: The Musical of the Six wives is one of the best nights at the theatre I have had in years and I go to a lot of theatre across the world.
It was a rollercoaster of emotions and while sometimes corny the feminist revision of ‘herstory’ Was so uplifting. I loved it and the crowd ate it up!!!
Gizmo6 said: "Also SIX: The Musical of the Six wives is one of the best nights at the theatre I have had in years and I go to a lot of theatre across the world.
It was a rollercoaster of emotions and while sometimes corny the feminist revision of ‘herstory’ Was so uplifting. I loved it and the crowd ate it up!!!"
Agreed, it's just amazing and so wonderfully British!
Already booked to go back twice in the next 2 months.
Impossible2 said: "Gizmo6 said: "Also SIX: The Musical of the Six wives is one of the best nights at the theatre I have had in years and I go to a lot of theatre across the world.
It was a rollercoaster of emotions and while sometimes corny the feminist revision of ?herstory’ Was so uplifting. I loved it and the crowd ate it up!!!"
Agreed, it's just amazing and so wonderfully British!
Already booked to go back twice in the next 2 months."
Brilliant. Planning on booking soon again too. I see some of the cast are leaving for Oops I did it again writer musical &Juliet.
So that’ll be interesting. I just hope Anne of Cleaves will be still there she was amazing.