Fosse76 said: "Nonein this matter. They cannot tell a producer when to open or close a show, nor can they dictate any operating procedures to any individual shows outside the negotiated union agreements already in place.
Note: The union contracts are between the "League" and the union members, which define the basic parameters that must be adhered to by individual producers in Broadway houses (some unions, by the nature of the job, will also have individualized riders, like AEA). So producers must operate within the confines of those agreements."
Yes and no. As a threshold matter, there are multiple players other than the League and the unions. Chief among these is the state. Also missing from the equation are the landlords (who of course have a lot to do with what the League does). As a practical matter, a producer who goes against the League is subject to sanction or even being kicked out. It's moot, though, unless and until the date gets moved up, which is not beyond the realm of possibility although I think it is unlikely. (If the dates move up, other shows will want to move up. If other shows move up, then you have a lot of pissed off people who thought they had bought tickets to the first show back, etc etc etc.) I think folks are generally happy with the timetable and a rogue will not be viewed favorably.