Audra never played the role on stage -- only for the Actor's Fund Concert.
It was always a pipedream of hers to play Deena Jones (she always knew she wasn't a right fit), and since Seth Rudetsky is a very good friend, he allowed her that dream for the 20th Anniversary Concert/Recording.
She did the best she possibly could considering her miscast. It was a wonderful recording.
I have NEVER met Cheyenne Jackson. I have never hung out with him in his dressing room, he did not tweet me, he never bought me a beverage, and he mostly certainly didn't tickle me. . .that is all.
She was miscast. Much as she tried to tone it down, her "legit" trained sound (with way too much vibrato) came through in all of Deena's music, which simply is all wrong for the character. Deena needs cool, sleek, unaffected 60s pop sound a la Diana Ross in order for it to make sense that the Dreams became a major mainstream success during that era. Audra's Broadway/classical voice -- while ideal for many other roles -- simply doesn't have the pop sound that Deena requires.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Kringas, i'd gladly give it a listen, but I don't exactly have the money "readily available" to purchase the entire recording from iTunes or amazon, considering they're both asking about $20 for it. I can live with the movie recording for now...
"The nice thing about the rain is that it always stops... eventually."
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
wow actually thought she was an amazing dot and her voice sounded great with the score...her "children and art" and marie was so poignant and hilarious and her " We Do Not Belong Together" was chilling!
RIP Natasha Richardson. ~You were a light on this earth ~
Race doesn't matter in a concert staging -- only in a fully mounted show.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Ummm, Dot is a fictional character that Sondheim and Lapine created, she was not a real person therefore any argument discussing Dot's real race is pointless.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
She is such a gifted performer that she was wonderful in the role despite being completely miscast. I mean Shoshana Bean would have been less miscast as Deena than Audra.
I don't know what "wonderful" recording ya'll are referring to, but my concert CD is terrible. Audra McDonald, for all her talents, is terribly mis cast. White sounds a mere echo of the brilliant Effie in her past and Heather Headley is so terrible that her "Ain't No Party" is easily one of the most embarassingly-terrible recordings I've ever heard.
I have to admit that I hate the concert recording too, I think just about everyone is miscast, even Audra, but she does a better job than any of the other women, but its nice to have the whole show on record.
"Fenchurch is correct, as usual."
-Keen on Kean
"Fenchurch is correct, as usual."
- muscle23ftl
I actually really love the concert recording, warts and all. Even if you hate the three girls, which I know may make for a painful show, I think Billy Porter defines Jimmy Early.