I was told the Last Ship is closing in January — Page 2
Posted: 12/30/14 at 11:15pm
Posted: 12/30/14 at 11:15pm
No, Namo, it's not. It may be a flop, but not because of that. That's just the sort of priceless nonsense people have a penchant for spouting on here.
Posted: 12/30/14 at 11:26pm
David Cote "Why You Should See Sting..."
Posted: 12/31/14 at 1:48am
All the Way?
Hairspray?
Elaine Stritch At Liberty?
The Music Man?
The King and I?
Biloxi Blues?
Brighton Beach Memoirs?
Annie?
Updated On: 12/31/14 at 01:48 AM
Posted: 12/31/14 at 1:54am
Posted: 12/31/14 at 1:56am
Posted: 12/31/14 at 4:26am
Audiences are a lot sharper than you think.
Sharp enough to reject a loser like this one.
And I wonder, if Sting hadn't written this, if tv shows would have plugged it until it was coming out of our ears.
I bet Big Fish, Scandalous, Catch Me If You Can, Hands on a Hardbody, Wonderland, and countless other flops would have loved the (over)exposure this dud received.
Updated On: 12/31/14 at 04:26 AM
Posted: 12/31/14 at 4:31am
Posted: 12/31/14 at 4:33am
Posted: 12/31/14 at 4:44am
To be honest, as bad as Wonderland was --- and was it ever bad--- it was easier to sit through than The Last Ship.
I kept hoping for them to finally build that ship so that we could escape into the night.
Updated On: 12/31/14 at 04:44 AM
Posted: 12/31/14 at 4:46am
Updated On: 12/31/14 at 04:46 AM
Posted: 12/31/14 at 4:47am
Posted: 12/31/14 at 4:48am
Posted: 12/31/14 at 4:55am
Posted: 12/31/14 at 4:57am
Posted: 12/31/14 at 5:07am
Posted: 12/31/14 at 5:18am
Posted: 12/31/14 at 5:47am
You ask a good question, but it's really a complicated matter. Does something "good" "deserve" to run? It depends on how you conceive of both of these terms.
If someone opens a hot-dog stand, and sells great hot dogs for $50 each, and the public refuses to pay that sum for these hot dogs, causing the owner to go out of business, is the public to "blame?" Did the owner "deserve" success? And if food critics extol hot dogs that are actually lousy, and are judged lousy by the public, should the public be expected to buy them just the same, and be excoriated for not doing so?
As far as shows are concerned, they are being presented to the public for its approval --- and dollars. That's just the way the game is played. If the public doesn't give either, than no, the show doesn't "deserve" to run, no matter what I or anyone else thinks about the show's merits.
Posted: 12/31/14 at 7:04am
I have to add that I don't believe a lack of audience support means a show isn't wonderful. Was Donnybrook not good? Or the original Waiting for Godot or Candide? I admit I've rarely been mystified by a show's lack of success but I don't assume a show's commerciality is commensurate with its artistic merit.
Posted: 12/31/14 at 7:19am
Posted: 12/31/14 at 7:53am
However, I do feel that Broadway should always have room shows that opens Broadway up to a wider audience that makes it more apart of the mainstream entertainment culture (The Phantom of the Opera, The Lion King, Wicked, Jersey Boys, The Book of Mormon, Kinky Boots, Beautiful, & Aladdin).
Both Tarzan and The Little Mermaid flopped so you can count those out of long-running hits.
Posted: 12/31/14 at 8:05am
Posted: 12/31/14 at 8:16am
Could be.
I certainly had a better time at the play Moose Murders than I did at The Last Ship. It was beyond awful, yes, but I laughed my head off at its outrageous shenanigans. The Last Ship was just a trial by dire.
I also had a good time at Mamma Mia, Rock of Ages, and Beauty and the Beast --- and I don't wear polyester. Nor do I wear jeans when I go to the theatre (or anywhere else for that matter), as do many of our self-proclaimed, sharp "intellectuals."
Posted: 12/31/14 at 9:03am
Hey, After Eight, in your proposed paradigm, how do you account for the long-term success of ONCE?
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