I saw this show in Chicago and really loved it (even with its flaws). Sad that it didn’t find an audience on Broadway. I recently listened to the cast recording and was reminded just how good it was – the score is really, really great. I also greatly admire Sting’s dedication to the show. I’d love for him to continue writing for musical theatre and hope this doesn’t scare him away forever.
The marketing of Last Ship has been terrible. The logo is indecipherable. Plus, the number performed on the Thanksgiving Parade was not the best choice. It's probably the weakest song in what is otherwise a very strong and effective score. They gave it to Sting to sing, but in the show it isn't sung by Sting's character. I think something rousing like We've Got Now't Else, which features Sting and the company, would have been a better choice. Plus, it would have emphasized that the show is uplifting rather than a downer. Just my humble opinion.
The performance on the parade is finally what sold me on the show. I was on the fence for a while, but got tickets for tomorrow. Looking forward to it!
"Oh yes, After Eight, audiences attending theater today are so very sharp. That is why they have kept Mamma Mia running for years. Oh, and Rock of Ages. Let's see, that's right these sharp audiences have turned virtually every junk box musical into a long running hit. Motown? Really? Beautiful? Really? That is why these sharp audiences have been duped into championing junk like Book of Mormon and will pay $400 a ticket. These sharp audiences are why bloated dated musicals like Phantom can run way past their expiration dates. Why shows with men in drag are the screaming height of sophistication. Why every Disney piece of crap like Tarzan, Beauty and the Beast, Little Mermaid and yes the incomprehensible puppet show know as Lion King run and run and run. "
"Oh yes, After Eight, audiences attending theater today are so very sharp. That is why they have kept Mamma Mia running for years. Oh, and Rock of Ages. Let's see, that's right these sharp audiences have turned virtually every junk box musical into a long running hit. Motown? Really? Beautiful? Really? That is why these sharp audiences have been duped into championing junk like Book of Mormon and will pay $400 a ticket. These sharp audiences are why bloated dated musicals like Phantom can run way past their expiration dates. Why shows with men in drag are the screaming height of sophistication. Why every Disney piece of crap like Tarzan, Beauty and the Beast, Little Mermaid and yes the incomprehensible puppet show know as Lion King run and run and run."
I so agree with this statement. I actually enjoyed "The Last Ship" and found it moving. I would see it again before ever suffering through "The Lion King", "Mamma Mia" a second time. I'm really sorry it can't find an audience.
Actually Sutton, you left out the best part of his comment:
"Yes, audiences are so sharp; they are so intelligent ; they are so sophisticated; they are, in fact, culturally deprived dullards in polyester that have ruined theater with their plebian tastes."
And with that, JayG 2 adjusted his bowler, secured his monocle, made sure his spats were still positioned properly, harrumphed appropriately, scattered the urchins with his cane, tugged at the leash of his Pomeranian and ambled purposefully down the street. Yes, BRAVO indeed. How dare the unwashed masses be entertained by things they find entertaining?
After Eight, you actually had a good time at Mamma Mia, Rock of Ages, and Beauty and the Beast and hated the Last Ship? Damn, that is the best endorsement for The Last Ship I have ever read. It's even better than USA Today calling it the Best Musical of 2014.