This is the Moment, Someone Like You, Once Upon A Dream, In His Eyes, and A New Life all sound fantastic. A Dangerous Game sounds pretty... well... interesting, and Bring on the Men sounds awkward. The songs that were done well though sound awesome.
"There’s nothing quite like the power and the passion of Broadway music. "
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
^ I wish she had sounded like that when I saw her.
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
Deborah has done it again. I listened to youtube clips of Linda Eder singing these songs and was bored to tears. Deb brought them to life. Teal Wicks has a nice, clear singing voice. If she's considered the "star" of the show, well....good for her.
Saw this on Saturday. What are they thinking?!?!?! Constantine is just awful, laughable at times and never convincing. Deborah Cox is hoarse (maybe a couple of days off would help her) but is a better actor than her co-star. The second act is very slow and the confrontation had us in hysterics (not in a good way). The material is just as weak and terrible as I remember. Wouldn't recommend this unless you are a fan of the show or someone involved.
^ While I don't agree about the material, I'm with you on Cox. Beautiful voice, soulful interpretation but she it seems like she already needs a vocal rest. I can't help but wonder if that's why "Girls of the Night" isn't included - too much for Cox to sing.
The pre-West End tour that never actually made it there (it was more of revisal than this tour, but a total disaster starring and produced by Paul Nicholas, possibly the worst Jekyll/Hyde ever), shifted the song to be much more ensemble themed, removing most of Lucy's parts to just listening/chiming in as an ensemble member. I'm also so surprised this song hasn't made it in the show again yet.
"Can someone please post the lyrics to Murder Murder?"
You would've loved the UK original tour then - the Jekyll/Hyde couldn't hold the final note of the reprise of Alive, so the ensemble came to end the first act with a "prelude" of "Murder, Murder," which of course also opened Act II.
I do have to admit that while he wasn't a good actor, I thought Constantine was able to sing the score competently. I'll bet with some rest, Ms Cox would sound terrific. As of Saturday, she sounded very tired and had to push...a lot. But that confrontation scene, so over the top. just completely ridiculous.
Can't wait to see the tour. Songs I can't get enough of one the Concept CD: No one knows who I am, Someone Like You, In His Eyes, Dangerous Game (Deb sounds great here), Girls of the Night, A New Life.
I can see how the score would be draining on Cox's voice, and I don't mean this with any offense, but remember that she is a studio singer and didn't make her career belting out a difficult Broadway score to a very perceptive audience every night.
Either way, I love the CD, but I am also a huge Jekyll & Hyde Fan (Anthony Warlow forever)!!
When I saw the show, I did not compare it to any other versions. I love Wildhorn's music and I am not a mean person who likes to trash people anonymously on the Internet. So, I enjoyed it. Not going to get in a war over who is good and who is not. I appreciate what these people bring to their roles and I love this play. I hope it makes it to Broadway and then I will go see it again.
Cool story bro. If I was a Broadway producer I'd wish all audience members were like you.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Speaking of the awful first UK tour, Paul N who played Jekyll and Hyde was on click track some nights for the WHOLE of act. He was horrible. The set was bad, the lighting was bad, the costumes were bad. I remember the leading ladies doing pretty well but the whole night was pretty much a bust. Many many people walked out the night i was there, almost half of the audience.
Namo i love u but we get it already....you don't like Madonna
^ "I remember the leading ladies doing pretty well but the whole night was pretty much a bust."
Shona Lindsay played Emma (or she may have actually been called Lisa in this tour - WHAT!). Paul Nicholas was a disaster, but the layout of the show was more of a total disaster. (cue "This is the Moment" as the lead up to the wedding song, Facade reprises galore, and a favorite random scene shift: "Dangerous Game" AFTER "A New Life")
Louise Dearman was undeniably the star, and the show (from what I know) made a West End star of her - she got a record deal shortly following the tour and has gone on to be very successful, the first actress to play Elphaba and Glinda in Wicked, another recording, etc. What a voice - I would revisit Wicked just to hear her every night.
She got all the big numbers in Jekyll to sing though (and could pull them off just as good as Linda), so I can't imagine with a score like that for a character she wouldn't have been!
LALA, just curious as to why you bothered to see a show with material you don't like?? Honest question.
You find the confrontation scene rediculous, so I am also curious how you would stage it? Another honest question.
Must a fictional story, played out on a stage, lean more toward plausibility in comparison to reality than where our imaginations go when reading a book of the same material?
The over the top confrontation scene puts you in Jekyll's head more than does the hair ballet of previous versions (I think). Yeah, it may be way over the top - but rediculous and laughable? Those who hate the material will likely agree. Which brings me back to why go see the new version of the same material of which you dislike?
I admit that I think the show is just awful, but no matter what you may think of the rest of it, that climax, that ridiculous self-duet, is like a bad sketch from Saturday Night Live, Mad TV, or In Living Color. It's such inadvertent clumsy camp, it's difficult to conceive how anyone could ever take it seriously.
But then, one has to take a step back and realize that there are people who think plastic slipcovers and velvet paintings of cats are seriously attractive...