Though I didn't see it, the way he did MACK UND MABEL with the actors also being the musicians seems like a very comedic idea and could definitely work.
Don't forget he'll be invading the film world now. I suppose there the actors will also be the scenery.
I look forward to you all despising Craig Revel Horwood's CHESS in Toronto at the end of the year.
Actor-muso shows won't be going away any time soon, particularly in the UK where these production are originating as the MU is so fiendishly strong here.
"Whichever approach he takes he's an excellent director who gets consistently great performances from his casts. Or does that not count?"
That, of course, could be argued. At length. In fact, the actor/muso (is that really a phrase???) concept is the least of my problems with John Doyle as a director.
"I thought his production of Mack and Mabel (which did use actor/musicians) made the best case for that show that has ever been made."
I totally agree with you.
His production of Anyone Can Whistle (with the orchestra in the pit) made the worst possible case for that show. Oh, actually, maybe not - perhaps that was the original Broadway production?!
And see, I would posit that one of the reasons this works is because the actor/musicians are all chorus/orchestra, not the leads. Makes a big difference in the presentation.
Actually, IIRC, they had three people show up for the casting call of BARNUM, and Doyle spent hours trying to figure out how to do a three-person version of the show.
No, you were right: no one came, because Doyle just went way too far. There were even jokes around here about people playing tubas while swinging from a trapeze.
I saw a production of Anyone Can Whistle while in London last year that I thought very effectively used the actor as musician concept. Granted, it was only the ensemble that played and none of the principle roles, and the production was unmistakeably taking a Brechtian approach to the show, but it was wonderful.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I have as much interest in watching musical theater actors play their own instruments as I do in watching them iron their own clothes. Unless it's specifically ABOUT a musician who plays an instrument in the script, I wish this "concept" would die a quick death and just GO AWAY!!
I was MDing actor/musician shows back in 1980 (and it wasn't new then). Sometimes it's interesting, sometimes not, but to keep returning to that schtick over and over again shows a real lack of imagination.
Given that line in logic, one could argue that returning to more traditional forms of presentation displays a a real lack of imagination. However, that wouldn't really be a sensible argument.
I've appeared in actor-musician productions, off and on, for over 30 years and my first taste of theatre was actor-musician, so, perhaps, I don't appreciate the controversy it seems to cause, it's just a way of presenting a show.
BTW, I'm surprised that Barnum didn't work out, I've seen a couple of very good a/m productions.