I think John could do by himself, but with the three of them the sound is better. Here is what he posted on his blog.
Friday, April 14, 2006
In response to Michael Riedel's reporting in the New York Post on rumors about JERSEY BOYS, here's some interesting history on the sound of the Four Seasons and some behind-the-scenes info on how JERSEY BOYS re-creates that sound:
The signature sound of the Four Seasons, originally called "The Four Seasons, featuring the sound of Frankie Valli" was created by having Valli record his vocal part twice and then running them back together. If you listen to the original recording of "Sherry" you will hear TWO Frankie Vallis! This technique was called "doubling," and the Four Seasons were one of its earliest pioneers, using it on some of their most famous songs.
When we recorded the JERSEY BOYS cast album, we were able to do exactly the same thing in the studio. If you listen to the JERSEY BOYS CD carefully you'll hear TWO John Lloyd Youngs on some of the signature up-tempo Seasons songs (for instance, track #5, "Sherry"). Other vocal parts are doubled, as well, just as in any choral arrangement.
To recreate that sound live, onstage, we did the following. Here's how the producers of JERSEY BOYS explain it:
"The authors of JERSEY BOYS require any actor playing Frankie Valli (not specifically John Lloyd Young) and other featured actors in the show to have a second voice accompany them at certain moments during the show to recreate the authentic sound of Frankie Valli and the Four Seasons.
The multiple voice technique was pioneered on the original Four Seasons records, and is talked about and explained in the show as part of the story of JERSEY BOYS!
Everything in JERSEY BOYS is sung live. Everyone who appears to be singing on-stage is singing live. There are no tapes or click tracks. Accompanying vocals are performed by members of the cast singing on or off stage."
A few things should be clarified: the falsetto is actually easier on the voice, and it's a large part of my almost-four-octave range. I need no "help" to hit any notes in falsetto. Doubling is a way to layer support under a sound, not a replacement for it, which is why you hear it if I make a vocal mistake: there's no place to hide. Doubling is not used on any of my ballads or solo numbers during the show; it's only those signature four-part harmonies (which, in reality, can have as many as ten voices onstage and off supporting each of the four vocal parts). It happens in parts of the show where I'm not one of the singers: look for other characters onstage singing in the early scenes of JERSEY BOYS where the "Variety Trio" is performing -- those are doublers.
Though it's a lot of hard work to sing the lead vocals for 27 songs, live onstage each and every performance, it's very rewarding to know the authentic signature Four Seasons studio sound we all remember is being delivered every night to the audiences of JERSEY BOYS.
Duct tape is like the force. It has a light side, a dark side, and it holds the world together."