John Lloyd Young Isn't Singing High Notes - Riedel — Page 3
Posted: 4/14/06 at 11:54am
Posted: 4/14/06 at 11:55am
Friday, April 14, 2006
In response to Michael Riedel's reporting in the New York Post on rumors about JERSEY BOYS, here's some interesting history on the sound of the Four Seasons and some behind-the-scenes info on how JERSEY BOYS re-creates that sound:
The signature sound of the Four Seasons, originally called "The Four Seasons, featuring the sound of Frankie Valli" was created by having Valli record his vocal part twice and then running them back together. If you listen to the original recording of "Sherry" you will hear TWO Frankie Vallis! This technique was called "doubling," and the Four Seasons were one of its earliest pioneers, using it on some of their most famous songs.
When we recorded the JERSEY BOYS cast album, we were able to do exactly the same thing in the studio. If you listen to the JERSEY BOYS CD carefully you'll hear TWO John Lloyd Youngs on some of the signature up-tempo Seasons songs (for instance, track #5, "Sherry"). Other vocal parts are doubled, as well, just as in any choral arrangement.
To recreate that sound live, onstage, we did the following. Here's how the producers of JERSEY BOYS explain it:
"The authors of JERSEY BOYS require any actor playing Frankie Valli (not specifically John Lloyd Young) and other featured actors in the show to have a second voice accompany them at certain moments during the show to recreate the authentic sound of Frankie Valli and the Four Seasons.
The multiple voice technique was pioneered on the original Four Seasons records, and is talked about and explained in the show as part of the story of JERSEY BOYS!
Everything in JERSEY BOYS is sung live. Everyone who appears to be singing on-stage is singing live. There are no tapes or click tracks. Accompanying vocals are performed by members of the cast singing on or off stage."
A few things should be clarified: the falsetto is actually easier on the voice, and it's a large part of my almost-four-octave range. I need no "help" to hit any notes in falsetto. Doubling is a way to layer support under a sound, not a replacement for it, which is why you hear it if I make a vocal mistake: there's no place to hide. Doubling is not used on any of my ballads or solo numbers during the show; it's only those signature four-part harmonies (which, in reality, can have as many as ten voices onstage and off supporting each of the four vocal parts). It happens in parts of the show where I'm not one of the singers: look for other characters onstage singing in the early scenes of JERSEY BOYS where the "Variety Trio" is performing -- those are doublers.
Though it's a lot of hard work to sing the lead vocals for 27 songs, live onstage each and every performance, it's very rewarding to know the authentic signature Four Seasons studio sound we all remember is being delivered every night to the audiences of JERSEY BOYS.
Posted: 4/14/06 at 11:57am
This is overstepping the line of decency. People are sharing their reactions to the situation.
kmc
Posted: 4/14/06 at 12:00pm
Posted: 4/14/06 at 12:07pm
Posted: 4/14/06 at 12:11pm
Edit: Because some misonceptions were pointed out.
Updated On: 4/14/06 at 12:11 PM
Posted: 4/14/06 at 12:14pm
I'm sorry to be so cranky about this, but their reason is CLEAR and it has ONLY to do with making it sound authentic. In other words, if Frankie Valli himself were playing Frankie Valli, they would double his voice. Why? BECAUSE THAT'S WHAT THEY DID!!
Posted: 4/14/06 at 12:17pm
Updated On: 4/14/06 at 12:17 PM
Posted: 4/14/06 at 12:42pm
Posted: 4/14/06 at 1:04pm
Posted: 4/14/06 at 1:06pm
It's just yet another case of Reidel's vicious gossip. The cure? Take it with a shaker of salt
Posted: 4/14/06 at 1:13pm
Posted: 4/14/06 at 1:23pm
Posted: 4/14/06 at 1:28pm
Posted: 4/14/06 at 1:30pm
Here's a new spin on the old adage, "if you can't do, make sure you RUIN it for someone who CAN"!
-Aldente
Posted: 4/14/06 at 1:34pm
Posted: 4/14/06 at 1:39pm
Posted: 4/14/06 at 1:50pm
Posted: 4/14/06 at 1:51pm
On the Macy's parade, ALL the shows are miming to pre-recorded music. That would be why JLY sounded perfect with no strain- pre-recorded, ideal vocal situation. Letterman, for those who are unaware, is taped live in front of a studio audience. Furthermore, Letterman keeps his studio at a "balmy" 48 degrees- just about like performing outside. I wouldn't compare these two performances to use as evidence of some sort of vocal exhaustion on John's part. Apples and oranges.
Kay, the Thread-Jacking Jedi
Quando omni flunkus moritati (When all else fails, play dead...)
"... chasin' the music. Trying to get home."
Peter Gregus: "Where are my house right ladies?!"
(love you, girls! - 6/13/06)
Posted: 4/14/06 at 1:52pm
Smear campaigns are risky. You have to be very careful who you're dealing with. Tony voters are not stupid. If this article does blip their radar they're going to know exactly why this story was planted. And it may backfire significantly, as in, JLY gets both the nomination and the win because people feel he's being targeted by the, to paraphrase Al Dente, theater community bitches. I don't think he should win because of that, I think most people will see his wonderful performance and judge it on its (numerous) merits, but this stupid Riedel story may swing the pendulum back his direction out of sympathy for people picking on the new kid on the block.
Posted: 4/14/06 at 1:56pm
jerseyboyslover, honestly, I think JLY will be fine. Hurtful things being said? Sure. Expected in THIS industry? Without a doubt. He strikes me as a guy who is fully aware of behind the scenes drama. He's probably a bit insulted, but far from devestated.
Kay, the Thread-Jacking Jedi
Quando omni flunkus moritati (When all else fails, play dead...)
"... chasin' the music. Trying to get home."
Peter Gregus: "Where are my house right ladies?!"
(love you, girls! - 6/13/06)
Posted: 4/14/06 at 1:57pm
Updated On: 4/14/06 at 01:57 PM
Posted: 4/14/06 at 2:01pm
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