I have been looking forward to this show since the postcard arrived in the mail months ago.
I cannot recall hating a show so much in the last decade, maybe longer.
The book is an utter mess. The show is a bore. Ms Bennett sounds like a cross between Katharine Hepburn and Tallulah Bankhead, but almost never Judy Garland. Many of her lines are unintelligible.
If you're interested, see it now. Given the large number of walkouts at intermission, I predict it will be gone by Fourth of July, if not Mother's Day.
'Our whole family shouts. It comes from us livin' so close to the railroad tracks'
I enjoyed the play and think Bennett does become Judy. Adirector posted further up the thread, that one would be better watching films of Judy but in the many films Judy appeared in, she was playing the sweet, all American young lady, a character and not being herself. This play depicts Judy as she was three months before she died. She was bone thin, her voice had deepened and she no longer had the mezzo-soprano voice she had in her younger days. It is not about failure, it is about her successful run at The Talk Of The Town, London. It maybe for some; better seated; from midway to the back of the theater. I didn't sit at the front so don't know if it makes a difference. If you watch the clip of Judy, her voice is deep and I think she sounds more English when she speaks, although she could have been trying to emulate the English accent when in England. She certainly doesn't have a full American accent. She also seems to struggle on some notes but detracts by talking to the audience.[the second link] But I do agree she sounds like Katherine Hepburn in the third link. Just my opinion of course. http://www.youtube.com/watch?v=PoykJi6xxuc http://www.youtube.com/watch?v=rOQjMQx1Q8Y&feature=related http://www.youtube.com/watch?v=rD44UDrdKSM
Just watching the 2 clips above, it is so obvious that Ms Bennett, is far better than the comments she is getting from a lot of purists out there.... Ms Bennet is not an impersonator, she his portraying the last few months of Judy Garlands life, and I must say, she does it with energy, humour, and sensitivity (Not Easy to be your best, when you are nearly dead, not many people are still around to say how it should be done)
There is not a second during the 2hrs + that she slips out of character...and that is what she is 'A Character' the same as all actors
Saw this last night. For those wondering, it is a general rush, $31.50. I was in the second row of the balcony.
I love, love, love Judy Garland so I was very excited for this show. At the same time I knew this was not about Judy's glory years. This is her at her absolute lowest. Obviously from this thread some people have issues with depicting this era of Judy's life. If that's you, you may as well skip this play. I personally don't mind it; it was the reality of the situation unfortunately.
While I enjoyed the play, I don't think it's particularly great. It definitely is better than something like Looped. Still, it's uneven and feels relatively trite.
Tracie Bennett, however, is magnificent. She definitely sings more like Judy than she speaks like Judy, but she gives an amazing performance throughout. Michael Cumpsty is fine, but Tom Pelphrey as Mickey Deans is terrible, almost distractingly so.
All in all, I think it's worth seeing, if for Bennett's performance alone. But I don't think it's particularly great.
I was there this afternoon. I am someone who really knows Judy from her film roles that having been said the play seemed very sensational to me. If I can draw a parallel to My Weekend with Marilyn, where that movie succeeded in giving a us a well rounded view of the world surrounding the ailing star, this play seems to rely on the fact that you know more about Judy other than just having seen her movies. Maybe this isn't really a problem to the creative team, because they know 95% of their audience is going to be coming in with more knowledge of the subject just simply by living through it. That having been said Ms. Bennett really is force of nature, especially during the concerts.
It starts with the writer referring to "men of a certain age" who are "holding their collective breath," which I gather is supposed to imply that old-gay-men-are-loving-this-show-just-like-they-loved-Judy.
Ugh.
Then it goes on to make more generalizations about gays and Judy by saying that the "gay men who revere her as a fellow traveler in oppression"...
Ugh, again--didn't that old canard become a cliche the day after Stonewall?
"...will be taking to blogs and Twitter in the coming weeks to assess every twitch and fidget, every cadence and high note in Ms. Bennett’s performance."
Which I guess refers to we old fellow-travelers-in-oppression who are holding our collective breath and posting in threads like this one.
And then the article ends with Ms. Bennett herself bashing drag queens as "bitter" but saying they are somehow brilliant and better than she is--but brilliant and better only at "impersonating Judy," which is something, the article seems to be saying, that she would not stoop to do.
Petal6 wants us to focus on Barack Obama who she/he feels is not doing their job as President of our great nation as opposed to continually bitching about Tracie Bennett's impersonation performance as Judy Garland
Did this show make anyone else viscerally angry? From her chewing the scenery and the playwright's clear disdain for Judy, I found it to be tasteless, cruel and disgraceful.
SPOILER: Judy was far from a saint, but to have her crawling around like a dog lifting her legs to pee? Give me a break. She deserves more respect than this.
Maybe if you closed your eyes she maybe sort of sounds like Judy. Maybe. Beyond that, she mugs it for two hours.
"I know now that theatre saved my life." - Susan Stroman