James885 said: "BoringBoredBoard40 said: "60 city tour?
very bizarre, even with a best musical win this is not a show that is going to do well on the road in houses that are 1500-2500 seats"
I'm inclined to agree. Even with a Best Musical Tony win, I think this show is going to be a tough sell on the road. I imagine it'll be dwarfed in places the size of LA's Pantages or SF's Curran."
The Pantages, with 2,700 seats, is a pretty large theater. But the Curran, with 1,667 seats, is the smallest of the San Francisco touring houses (yes, that’s still twice as many seats as the Booth) but feels more intimate. That’s definitely where it should go.
The fate of smaller shows on the road is no easier to predict than the outlook for shows on Broadway. Smaller, more intimate musicals like Fun Home, Dear Evan Hansen and Come From Away have done fine on the road. The Band’s Visit did well in San Francisco. There would be things lost in large barns, but most audiences for touring productions haven’t seen the Broadway show anyway.
I also question the idea that much of Kimberly Akimbo won’t translate. Yes, it will be more difficult for the actress playing Kimberly, but a lot of the humor in the show is very broad. I have an unusual but not unprecedented thesis here: I am bearish on the show’s future on Broadway even with its expected Best Musical win. That will help for a little while, but there’s not much evidence to argue that it will suddenly become a big hit. The same thing happened to Fun Home, but that didn’t stop it from making money on the road with its Best Musical title. I happen to think Fun Home was a more marketable show, despite its dark subject matter, but that doesn’t mean Kimberly Akimbo is doomed.
Full disclosure: I didn’t like Kimberly Akimbo, but that’s just my personal bias. There is no reason to think the show wouldn’t continue to get glowing reviews on the road and perform as well as the other acclaimed small musicals that had short Broadway runs despite Tony Awards (assuming I am right about that, which I might not be).
Moreover, of the new musicals that have or will open on Broadway this season, what is a lock to tour well or be the centerpiece of a touring house’s season, the way MJ is in 2023-24? & Juliet seems like the safest bet, and Back to the Future already has a tour lined up even though it hasn’t opened on Broadway yet. But what else? I’m not seeing much. Of the revivals, Sweeney Todd has been doing great business thus far, but can it thrive on the road without its Broadway star power? Maybe, but that looks like the only possibility.
I wish there was some kind of rush/discount available when they were in Utica. Their second performance was 1/3 full and literally nothing to be had as far as getting a ticket under $100 - they even closed the balcony.
n2nbaby said: "I wish there was some kind of rush/discount available when they were in Utica. Their second performance was 1/3 full and literally nothing to be had as far as getting a ticket under $100 - they even closed the balcony."
Might be why they are doing the discount here. Ticket availability is really good after the first night, at this point
MatthewS1 said: "ShowBro said: "Please for anyone who is lucky enough to be in Utica tn, dying to know first thoughts about Carolee Carmello and the new cast!!"
Bumping this- did anyone see it? I’ll be seeing it in StL- saw the entire original cast and couldn’t be more excited for the tour.
It got a very good review here in Denver. The review I read is in today's Denver Post. There is usually a paywall however I was able to search the review and it came up without the paywall. here is the link: