Now that Encores! has begun producing more recent musicals like Piazza and Titantic next season, what other musicals from the last 25 years would you like to see at Encores?
My ultimate choices would be:
LaChiusa’s The Wild Party (I know they already did Lippa’s)
The Full Monty
Grey Gardens
Women on the Verge (still too soon, but I can see it in about 5 years, but we need the ORIGINAL version, not the inferior London revision)
The Bridges of Madison County (again, too soon, but it’s an inevitable choice for Encores! eventually)
The Visit with one or all of Bernadette Peters, Patti LuPone, Donna Murphy.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
ljay889 said: "Now that Encores! has begun producing more recent musicals like Piazza and Titantic next season, what other musicals from the last 25 years would you like to see at Encores?
My ultimate choices would be:
LaChiusa’s The Wild Party (I know they already did Lippa’s)
The Full Monty
Grey Gardens
Women on the Verge (still too soon, but I can see it in about 5 years, but we need the ORIGINAL version, not the inferior London revision)
The Bridges of Madison County (again, too soon, but it’s an inevitable choice for Encores! eventually)"
I believe the authors of WOMEN ON THE VERGE prefer what they did in London.
Yes to GREY GARDENS (Jennifer Simard?) and MJL's WILD PARTY
CITY OF ANGELS has already been discussed as a goal for Mary-Mitchell Campbell.
post-1980 suggestions:
Steel Pier Big My Favorite Year Will Rogers Follies Song & Dance Baby A Doll's Life Nick & Nora Woman of the Year Blood Brothers Barnum Sweet Smell of Success Urinetown (this really just needs a proper revival) Passion State Fair Rags (that Goodspeed/London revisal seems dead) The Goodbye Girl The Rink Curtains A Day in Hollywood / A Night in the Ukraine Sugar Babies Drowsy Chaperone (or what would be even better: an Actors Fund anniversary concert with the original cast)
Some pre-1980 suggestions:
Darling of the Day Mame The Grand Tour Milk & Honey Sherry Golden Rainbow Sweet Charity Hallelujah, Baby! Two Gentlemen of Verona Ballroom They're Playing Our Song Whorehouse (if that planned revival is dead) Carmelina Eubie! Raisin Over Here Seesaw I Do! I Do! Half a Sixpence Golden Boy (again) is The Act worth producing? Stop the World... and Roar of the Greasepaint...
This is a great list. I’m still surprised Barnum has never received a full-scale Broadway revival - Neil Patrick Harris 10 years ago or so would have been a completely different but equal sort of triumph as Hedwig was for him
Of this list the ones that would be great choices for Encores, in their original versions and orchestrations, are:
Rags, The Rink, My Favorite Year and The Grand Tour. (Baby could also be worthwhile but they’ve just issued a new cast album of the revised version.)
ErmengardeStopSniveling said: "I believe the authors of WOMEN ON THE VERGE prefer what they did in London.
Yes to GREY GARDENS (Jennifer Simard?) and MJL's WILD PARTY
CITY OF ANGELS has already been discussed as a goal for Mary-Mitchell Campbell.
post-1980 suggestions:
Steel Pier Big My Favorite Year Will Rogers Follies Song & Dance Baby A Doll's Life Nick & Nora Woman of the Year Blood Brothers Barnum Sweet Smell of Success Urinetown (this really just needs a proper revival) Passion State Fair Rags (that Goodspeed/London revisal seems dead) The Goodbye Girl The Rink Curtains A Day in Hollywood / A Night in the Ukraine Sugar Babies Drowsy Chaperone (or what would be even better: an Actors Fund anniversary concert with the original cast)
Some pre-1980 suggestions:
Darling of the Day Mame The Grand Tour Milk & Honey Sherry Golden Rainbow Sweet Charity Hallelujah, Baby! Two Gentlemen of Verona Ballroom They're Playing Our Song Whorehouse (if that planned revival is dead) Carmelina Eubie! Raisin Over Here Seesaw I Do! I Do! Half a Sixpence Golden Boy (again) is The Act worth producing? Stop the World... and Roar of the Greasepaint..."
Definitely Grey Gardens. Maybe starring our reigning Best Actress in a Musical winner?
I also think Cry Baby would be a perfect show. Short-lived, fun score, lots of fun casting opportunities. Plus it would be a great way to remember the gone-too-soon Adam Schlesinger
Whatever the version of Women on the Verge, concede this: it'd gain a lot from turning Mambo-Loving Taxi Driver into a comic lead/narrator/Greek chorus type by letting him also play the smaller, one-scene-only male roles (i.e., the judge, the police officer, the matador, etc.). This would probably be best experimented with Encores-style, it wouldn't alter anything textually, but the show would feel more cohesive to an audience that likes Almodovar-type material onstage if it's more unified, whether as written or because it feels that way.
Also... if they're gonna mount a chamber version of Rebecca in the off-West End, maybe it's time to take a second look at the score of Dance of the Vampires. But in the interest of fairness to the rights holders, who will never let the NY version see the light of day again, you do a faithful translation of the German version and you tweak some of the casting, direction, and design for both an American audience and a 2023 audience. (...I have a "show bible." Don't judge me.)
110 in the Shade would be great to hear with the full original orchestration (which we didn't get in the Audra revival), and there are many fine ladies who could play that role well.
Jordan Catalano said: "Maybe the best way to get a damn “Dreamgirls” revival to actually happen would be for City Center to stage a great production of it."
I absolutely second this!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince