The director's a piece of sh*t. I find it boring and formulaic to have the asshole director be a careless, unfeeling bastard Brit.
and THIS is the episode that critics say gets the ball rolling? Sophomoric at best. The intervention scene could have not been more hokey and unreal. I don't know who the boy was in the dancing trio/quartet at the bar, but by having him in a hot pink shirt and out- dancing and outshining the women, was just a mistake.
And our assistant boy is now a part of the backup chorus at the party ? Made no sense.
too many villians in this show. And WTF is with Ivy?? The show is all over the place. Next week looks like they make Karen the new "Marilyn", or at least Ivy's u/s for now. But there's just too much BS in this show for it to be believable. I think I might be done with Smash.
Broadway Legend Joined: 6/28/07
That was a good episode. The plot was a little show in the last two weeks, but tonight was enjoyable. It also looks like the drama REALLY STARTS next week. Plus, I think no matter what happens with the series, Hilty has proven that she can a triple threat on Broadway.
Updated On: 2/27/12 at 11:25 PM
Broadway Legend Joined: 6/28/07
Broadway Legend Joined: 7/22/03
Broadway Legend Joined: 6/28/07
Entertainment Weekly has some theories on why the program is not a "Smash".
'Smash': Why is it not a smash? Some theories
"I don't know who the boy was in the dancing trio/quartet at the bar, but by having him in a hot pink shirt and out- dancing and outshining the women, was just a mistake."
That boy was Wesley Taylor, who brought the house down every single night when he appeared in Rock of Ages off broadway, in the role of Franz. And he was in a turquoise biker leotard, btw.
What a coincidence that the best, most fully realized episode of the show is the first one not written by Theresa Rebeck.
Her completely inability to write for television is the show's biggest problem, and if it can get its ratings up enough to have any chance at succeeding beyond the first season, she has to get out of the way, take her creator/ executive producer credit, and be happy with it.
I enjoy Wesley Taylor, for what it's worth, but I did find it odd that he was playing a character preaching the values of blending in when a member of the ensemble and yet, to me, it looked like he was working overtime to stand out in every musical number he was a part of.
Savannah Wise manages to be completely magnetizing without pulling any focus from anyone else. Take a lesson and don't pop the head, Wesley.
Chorus Member Joined: 1/4/12
So Karen can't control her voice, over dances, is inexperienced to the point that she appears to have never been in a musical before, and believes that being an actress means being the center of attention all the time and if the previews are anything to go by, the conclusion is to...make HER Marilyn?
Farewell, Smash. Good luck with the ratings but it'll be Hawaii Five-O or Castle or the 10 o'clock news for me!
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