I’m impressed that no reviews have come out yet where usually there are several by this time. Could it be an embargo issued by the producers to respect the artists on their opening night and wait until later in the eve?
Seems like it's rare for many news organizations to even wait until the show is over. I remember in early days of the internet when a lot of reviews would post at midnight eastern time. These days I've sometimes seen reviews posted shortly after the opening night performance has started.
New York, New York’ Review: The Big Apple, Without Bite
Based loosely on the 1977 film, a show about performers making it in the big city comes to St. James Theater with the sharper edges of its source material sanded off.
"The show follows the triumphant template set by Frank Sinatra rather than the more ambiguous one imparted by Minnelli. In this rose-colored vision, trials are temporary, everybody gets along, and nobody runs up against New York’s bad side."
I usually despise Johnny Oleksinski's reviews, but I thought he was fairly spot on here.
Also, thanks to those that answered my question about Sorry I Asked. It just seemed like such a specific sentiment that it felt like it had to be from a show, but I guess Kander and Ebb really are that good!
(There are overall more forgiving than I expected them to be, and yet much harsher on the cast. Uzele's vocals arent "sophisticated" enough for Variety? Wow.)
They need a brand new start with it, this meh “New York”!""
This reminds me of Jackie Hoffman's standup about how harsh the critics were on The Addams Family. Peter Marks boredom at NY NY made him go stark raving insane.
I'm not normally a person who revels in bad reviews for shows I didn't like, but these are oddly satisfying to me. During the first act, I had a real desire to take out my phone and start aimlessly scrolling, and that's never happened to me before at a show. It's just a big pile of nothin'.
BossBroadway said: "These reviews are exactly why Lin backed out of the Tony awards...how can you lead an awards show when your name is attached to a VERY mixed show...?"
Yet he demanded they move the ceremony uptown….
There are like 3 other people called Voter on here, FYI.
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John Kander draws from the Martin Scorsese movie musical, his back catalogue, and more for his latest Broadway show, with mixed results.
OUCH
Maybe Colton Ryan is aware of how generic his character is — a possible explanation for his embarrassingly mannered performance, with his Kermit the Frog-like voice and inexplicable accent.
Not even sound designer Kai Harada, otherwise doing solid work in making sure we can hear the lyrics, can save Ryan’s rendition in Act 2 of “A Quiet Thing,” in which his focus appears to have been on delivering it as quietly as possible
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
TaffyDavenport said: "I'm not normally a person who revels in bad reviews for shows I didn't like, but these are oddly satisfying to me. During the first act, I had a real desire to take out my phone and start aimlessly scrolling, and that's never happened to me before at a show. It's just a big pile of nothin'."
I'm hopeful there are enough pull-quotes in these to help them stay open a while, but given the deranged response from this show's fans because people were so insulted by the book, the unanimous consensus here is welcome predictability.
So now, the hypothetical 5th slot for Best Musical is wide open. Who, realistically, would join & Juliet, Shucked, Some Like It Hot, and Kimberly Akimbo?