Such reasons won't necessarily illuminate anything, but here goes:
He was brilliantly funny, with hypnotically good rapport and timing. When he engaged with audience members, every member of the audience was involved, not just the folks in the box or in the car wash seat. The raucousness of the humor and the collective laughter struck me as very much in keeping with the vibe that Hedwig strives for--Patti Smith by way of Marlene Dietrich.
He was incredibly sexy, in a lusty, raunchy, slightly gross way. Contrary to the view held by many people that NPH sanitized the role, I think that he captured exactly the sleaze that those same people see as essential to the character.
His voice was saturated with character. I teared up during his "Origin of Love" more than once (and indeed simply wept on one occasion).
I found his Hedwig quite moving (see above). I gather that this is a minority opinion; even people who thoroughly enjoyed NPH's performance seem to think that he did not deliver the emotional goods. I believe that he did.
Did he play Hedwig as a bully, a more domineering, or simply dominant (skilled, gifted, captivating, starlike) character than others in the role? Perhaps. But I don't think that his Hedwig lacked vulnerability or pathos either--nor do I think that Hedwig is simply a pitaible, castaway loser. She is many-sided.
Updated On: 4/7/15 at 12:08 PM