Must have something to do with Le Miz. She was Cosette. But I'm just thinking that Ms. Caine better be right or Patti will take her down.
Betty, that was Sunset Blvd. I just skimmed the Evita chapter and it says that Streisand wanted the role of Evita. She recorded songs from Sunset before LuPone, as I am sure you already know. Doesn't say anything about her recording "...Argentina". (Unless I missed something)
In the audiobook, she quite clearly says that Streisand recorded "Dont Cry For Me Argentina"
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Its the Sunset Boulevard chapter on the audiobook when she talks about Barbara recording "With One Look" and "As If..." She says that this happened to her before when Barbra recorded Argentina before she did for EVITA.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Loved the book, read it in 24 hrs. Patti has certainly had a lot of hard times, i respect her for writing this stuff. Great to hear about SUNSET and BAKER'S WIFE.
I think this [audio]book was the best thing ever. I didn't think her life was this interesting - it was almost almost TOO interesting - suspiciously so.
On the audiobook, I liked her impersonations of ALW etc.. - I just love it. I actually respect her much more now.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
"TheatreDiva90016 - another good reason to frequent these boards less."<<>>
“I hesitate to give this line of discussion the validation it so desperately craves by perpetuating it, but the light from logic is getting further and further away with your every successive post.” <<>>
-whatever2
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
When she was doing "Evita" and struggling with the part the ghost of Eva Peron came to visit Patti in the night. Patti felt Eva was trying to tell her that she would be okay in the part.
I know I'm late to the game, but I just finished the book. Full disclosure, I expected a score-settling bitchfest when I went in. And... yeah, that's pretty much what I found.
What I found most off-putting (and I'm sure many of you will disagree with me) is that - unless I missed something - she's never really had a "real" job a day in her life (as in non-performing, non show biz job) and STILL can manage to sound completely entitled and ungrateful regarding almost her entire career. She goes from being the first acting class at Julliard, which leads to her working as an actor non-stop for four years through the rest of her storied career without so much as ever having to say "May I take your order?" but everything's a struggle and everyone is out to get her - then, now and forever.
I'm not speaking anything about her talent, which I think is extraordinary. It's just a shame she seems to think of her life and career, which to me seems pretty charmed, as just an endless string of miseries and conspiracies against her.
One thing I was unsure of, because after page upon page of actual bitching and complaining it's hard to know when she's being serious or not - was she kidding when she blamed her diction problems on the sound person at Anything Goes?
Well, unless the sound person was God, I don't know how they could have helped. I guess that person has followed her from every show since. The only show I understood most of her lyrics was SWEENEY TODD, ah the fear of Sondheim!
And she wrote that Sweeney was a positive experience! Maybe her own enjoyment actually hinges or her having correct diction, and since that's been so rare, that's why she's been so cranky!
How did she come back from Les Miz $25,000 in debt? Is British Equity that cheap with their daily allowance or was she treating the entire cast and crew to dinner every night? Wasn't that the show where she was sharing a flat with Michael Ball?
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.