My full review of the show:
Now that everything's said and done, I have to say that this was the best production of Peter Pan that I've seen EVER (including the original Mary Martin production).
Allison Williams was a revelation in the titular role, completely disappearing into it and making you believe in Peter as a pre-pubescent boy (something that the original Broadway Pan, Mary Martin couldn't achieve, at least vocally [and yes, I've seen the Martin production and listened to the original Cast Recording of the show, so I'm not just saying this to say it]).
Walken's performance was delightfully great, imbuing Hook with the perfect mix of intimidating scariness and over-the-top hilarity. I was particularly delighted by his performances in the Tarantella and Hook's Waltz. He also, as noted, played off of the rest of the pirates perfectly, especially Christian Borle as Smee.
Speaking of, Borle imbued Smee with a mixture of lovable goofiness and genuine menace that probably would've stolen the show if it weren't for the fact that he was working alongside Walken. The way Borle played Smee was a perfect compliment to Walken's performance as Hook, and he deserves major kudos for that.
The technical aspects of the show were another strength (in spite of Williams accidentally hitting the wall of the Darling Nursery set), and I loved that they went with the theater trope of the crocodile being played by a man in a suit. It added to the whimsy and charm of the show, and was a nice touch.
I'm not familiar with Taylor Louderman, but she was a phenomenal Wendy. Her added solo, "Only Pretend", was superbly sung, and I also really enjoyed the way that she and Williams played off of one another throughout the show, but particularly in that scene and the scene where Williams sings "When I Went Home" (which, incidentally, just narrowly beats out "Only Pretend" as the best of the new songs).
Speaking of "Only Pretend", Kelli O'Hara's reprise of it was heartbreakingly sung, and really helped enrich the character of Mrs. Darling. It also led perfectly into the reprise of "Tender Shepherd", a song that has always been one of my favorites from the production.
I also really enjoyed the 'reworking' of "Ugg-a-Wugg" as "Blood Brothers"; it kept all of the beats of the original version of the song intact, but updated the sequence for modern audience standards. The "Hickory Dickory Dock" bits that they added to the song in place of the 'Ugg-a-Wugg' lyrics were a rather inspired choice, and John Lucas and Jake Allen (as John and Michael, respectively)'s performances really helped sell them and added to the overall whimsy and charm of the production.
I also enjoyed the way they broke "I Won't Grow Up" into sections and used it to help tell more of the story.
Everyone involved in the show in any capacity deserves to be congratulated, because it was definitely worth the wait and didn't disappoint at all.
I'm giving it an enthusiastic 10 out of 10.
Updated On: 12/5/14 at 12:43 AM