As much as I enjoy the score to A CHORUS LINE, my favorite Hamlisch score is SMILE, with lyrics by Howard Ashman. I think I'll give both a listen today.
I had literally just saw him a few weeks ago conducting the Chicago Symphony behind Idina Menzel. He was wonderful. What a legend. Let his scores be remembered forever. RIP.
Whoever says money can't buy happiness simply didn't know where to shop. - Bo Derek
It truly is a shame, he was a master of his craft. And while I've had the pleasure of being in A Chorus Line my favorite score of his is Sweet Smell. I think it just perfectly fits in the time period and is so catchy, even if the show didnt run that long. RIP Mr. Hamlisch, you will be missed.
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
While there is sadness, there also is joy in remembering all that Mr. Hamlisch contributed to the arts and culture. Those achievements will always be with us. And for that, we can be thankful.
I did a radio interview with Mr. Hamlisch in 81 or 82 for my college radio station. He treated me like I was a reporter for the New York Times - charming, open and responsive even to questions he'd been asked many times before. The three things I most remember were (1) He loved playing with Groucho (2) "They're Playing Our Song" is NOT the Marvin Hamlisch story and (3) He fought to keep "What I Did For Love" in A Chorus Line.
I worked as an assistant to Howard Ashman on SMILE. As most of you know that was also the show with which Howard collaborated with Marvin Hamlisch. I assume that SMILE was not one of Mr. Hamlisch's most cherished artistic experiences as Howard Ashman was not only lyricist, but librettist and director as well. Ashman always had more “veto power” than Mr. Hamlisch amd that power imbalance brought a measure of frustration. Through it all, Mr., Hamlisch was a consummate professional and a true, true gentleman to everyone in the SMILE company. I admired him tremendously and I'm so grateful that I had a very positive, albeit brief experience with such a kind and gifted man. R.I.P.
egghumor---okay, now it's my turn to say, "wow" and be hugely impressed.
I loved "Smile" when I saw it in previews, and I thought the book, music, and lyrics were great. Very unusual!
I remember opening the Playbill before it started and checking out the song list. There were several "chunks" (for lack of a more delicate word) of songs/scenes/transitions strung together, very much like the "Hello, Twelve" Montage in A Chorus Line, as far as structure goes. Not too many stand-alone songs. I knew, even before the overture, that it was going to be a special show, and I wasn't disappointed. I loved the way it all flowed together (dialogue into song into dance into scene change, etc.).
I'm sorry if Marvin was frustrated with the collaboration, and I do see that when your partner is the lyricist AND the book writer AND the director ... you're "outnumbered." But I think they did a terrific job.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
As prolific as he was, he did not compose Minnies Boys as someone just commented on Twitter. He was a giant who the critics were not kind to after Chorus Line
My favorite song he did was "Dreamers" from Jean Seaberg
"I’m devastated. He was my dear friend. He’s been in my life ever since the first day I met him in 1963, when he was my rehearsal pianist for 'Funny Girl.' He played at my wedding in 1998… and recently for me at a benefit for women’s heart disease. The world will remember Marvin for his brilliant musical accomplishments, from 'A Chorus Line' to 'The Way We Were,' and so many others, but when I think of him now, it was his brilliantly quick mind, his generosity, and delicious sense of humor that made him a delight to be around. Just last night, I was trying to reach him, to tell him how much I loved him, and that I wanted to use an old song of his, that I had just heard for the first time. He was a true musical genius, but above all that, he was a beautiful human being. I will truly miss him."
RIP. Very sad. I feel like a number of people I simply never expected to die so soon, have surprised me this year (Donna Summer, Hamlisch, even at his age Gore Vidal who I kinda imagined just always being around). I feel he was underated--a number of musical theatre books are pretty condescending about the score for Chorus Line, for example.
With the conversation about Smile, I thought those who haven't read it might wanna read the transcription of an interview Ashman and Hamlisch did with Bob Fosse for Smile, when Hamlisch briefly got Fosse interested in perhaps directing it. http://www.psclassics.com/cd_ashman_transcript.html