I have been following this unfortunate situation since the beginning, but have finally been compelled to comment after reading that Patti's original straw-man argument has gained so much momentum with other actors, including Steven Pasquale, who I have so much enjoyed on stage and admired.
I am hard pressed to think of another community, whether online or not, that is so passionate and celebratory about theater and so intellectually stimulating. I am hard pressed to think of someone more dedicated to theatergoing than Whizzer, who does his best to attend the first preview of every new Broadway show, sight unseen, and then writing an articulate and, above all else, fair review of the show and how they can best improve it over the course of previews. Whizzer is an embodiment of many, if not all, of us on these boards, true patrons of the arts who support shows with their time, their hard-earned dollars, and their word of mouth. Shows like Pasquale's own Bridges of Madison County, a beautiful piece of theater that failed to capture the mainstream or tourist attention, were embraced by the theater community and sent off at closing by a truly rapturous crowd, of which I bet a significant portion actually write and read these forums regularly.
I am hard pressed to think of a community with so much knowledge of theatrical history and respect for what has come before and championing of what is to come. I am forever grateful for users like PalJoey, whose memories of the original production of Follies became an integral part of my experiencing of the incredible 2011 revival. Users like him make BroadwayWorld much more than a message board, but a historical monument, and they should be interviewed (and respected) for their wealth of knowledge for its posterity.
I am also hard pressed to think of a community who showed more kindness or fair-mindedness to this season's China Doll. Although there was much harsh criticism of the show as an overall work on these boards, there was nothing here that was as vitriolic as Michael Riedel's fabricated and blasphemous articles in the New York Post, which gleefully derided David Mamet, Al Pacino, and Pam MacKinnon. On BroadwayWorld, there were fair reviews of the show from people who went to the production, despite what had been said about it before opening, with open eyes, and gave their opinions of the show. What the New York Post wrote about China Doll (and Misery and Hughie, for that matter) was much more injurious to the shows and their actors than anything that we've written about those productions here.
Yet we are targets of this misdirected ire because we do not wield the authority of the press and cannot impact a show as much as an official reviewer? How sadly misinformed that notion is, considering we represent the most frequent and passionate theatergoers, who support the theater with more than our words, but with our dollars. And it amounts to a significant amount of dollars, too, as we see the shows we love over and over and over again (I saw the aforementioned revival of Follies six times, for example). And it amounts to a significant amount of dollars in charitable donations to Broadway Cares / Equity Fights AIDS at the seasonal collections at the theaters and the annual Flea Market.
I promise to continue to support theater, because it is my favorite and most cherished medium of art, and I promise to continue to support the wonderful works of charities like BC/EFA. I also promise that those who do not see the value of my money or the value of my articulate feedback, such as Patti, will no longer receive it. Because although I do not write for the Post or the Times, I can still influence a show with my dollars, and my dollars will be spent on other ventures.
I love BroadwayWorld, I love our forum posters, and I love our support of theater. Patti or Steven might not see the value of what we contribute here, but I do and I will continue to do so in the future.