I am very happy to hear that Fantasia is succeeding in this role.
While a lot of people here may not be happy with "stunt casting," it's undeniable that she's bringing in an audience that may never have even considered seeing a Broadway show before but are actually coming into the theater for the first time to see her on stage. If she's exposing a new group of people to this institution we all care a lot about (and delivering a fierce performance in the process,) what's wrong with that?
I spoke to a friend in production last night and apparently she worked
very hard in preparation for taking on the role. Ever since she got an informal offer to come into the show back in early February she's been working on the text and score with an acting coach and a vocal coach in Chicago. When the touring company came into town to rehearse, she apparently even sat in on some of their rehearsals and also did work with Gary Griffin (the director.) She came to New York two weeks ago to polish everything over with the musical director and run through the scenes with the understudies and had her final put in Sunday.
I for one give major kudos to Fantasia. To see her investing so much hard work and effort into her performance is a joy to witness, and I wish her all the best on her Broadway debut.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 4/11/07 at 03:15 PM