"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
As I am normally first in line for ANY movie musical these days, I SHALL be going to see it and no doubt, I shall love it in spite of whatever shortcomings it may have. So it was with The Producers.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
No! She's done enough film adaptations. I'm still pissed that Cherry Jones isn't playing Sister Aloysius in the movie version of Doubt.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Age up Nicole Kidman for Sally and have Miss Vanessa Williams play Phyllis. Alec Baldwin for Ben, Timothy Hutton for Buddy, Madonna for Carlotta, Bette Midler for Stella and Susan Sarandon for Solange.
Perfection.
I still won't believe it till I see it, and I pray Bill Condon doesn't write the screenplay. Updated On: 5/6/08 at 10:01 PM
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
The most problematic part for the writer will be making the LOVELAND sequence work. That is going to be tricky. They can't just cut all of those great songs.
Oh, I think he'd be great, Keen. Pfeiffer or Williams have to be Phyllis!
And because the powers at be really should be taking their cues from me, here's a piece of advice - If they are worried about justifying the songs, I have the solution. It's a MUSICAL.
Follies is my favorite musical ever, and the thought of the movie makes me so excited if it is done well.
For me the key is if they can cast Sally correctly, I honestly dont know which big star I can see as Sally. I really love the idea of Vanessa Williams as Phyllis, I think she would be great.
Perhaps if they got big enough stars for Phyllis/Ben/Carlotta they could cast a Victoria Clark type for Sally (yeh, I know it will never happen, but I adored her Sally at City Center)
WHOA - correction. I have my movie musicals mixed up. It's NOT Rob Marshall. It's Sam Mendes.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Well, WHOEVER is making it needs to contact me immediately. We've no time to lose.
Wickedfan, have you ever heard the soundboard recording. That performance got plenty of laughs. I really think the problem is the revised book. Not only does the revised version kill all the gravitas and poignancy of the ending, but it kind of kills the laughs, too.