It did look like a suspension wire for a set piece snapped and fell into the audience. The audience in the house left of the front orch turned around to see if anyone got hurt. I assumed not because I heard no buzz in the audience of any injury. The wire may have miraculously fallen into the aisle...
-- REGARDING CREWDUDE'S COMMENTS: --
Bravo to you! Some people paid $277 for a single ticket. They are selling the last row of the balcony for $70. These are high prices. And if you can afford to pay them, good for you. The thing is, if you are not theatre savvy, then you do not know the difference between a preview and a post-Opening Night performance after the work is "frozen."
PERFECT EXAMPLE: A trio sitting next to me were tourists to New York from England. We got to talking and I discovered that this was their first Broadway show. Not only was this their first Broadway show, but this was their first SHOW. PERIOD. They *never* attended a piece of musical theatre before in their lives. I asked them why they chose this show, and the husband says to me that he is a HUGE Bono and U2 fan and that's the only reason why they were there. They thought it was cool that Bono wrote music for a Spider-Man story.
During one of the technical holds, he turns to me and asks me if it is normal for people to clap during the show, or if it was just because we were being supportive that they were having troubles?
He did not know it was customary to applaud during the show. He did not know what a musical was. He did not know this was the very first preview. He just wanted to hear some new Bono music.
Here's the thing: even if you advertise the hell out of explaining that certain dates are previews, how do you explain to the public what a "preview" means and how it differs from a regular performance?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle