"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Well if they are looking to transfer it to Broadway, they are going to need a name for Oscar, Sutton isn't enough to sell a commercial production of Sweet Charity. They would need a NPH or Jim Parsons.
^ it could come in through roundabout. Violet transferred to Broadway with sutton and she may not be a name, but she's a bigger name than what she was then. Younger is pretty popular.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
The New Group regularly snags notable actors, so I doubt that'll be an issue.
It's just such an odd choice for the company, which purports to have a "a commitment to developing and producing powerful, contemporary theater" and whose production history is of plays by writers like David Rabe and Sam Shepard and Wallace Shawn.
And it's a small space. This will be a pretty reduced production.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Call_me_jorge said: "^ it could come in through roundabout. Violet transferred to Broadway with sutton and she may not be a name, but she's a bigger name than what she was then. Younger is pretty popular."
Roundabout is not going to pick this production up unless there is an extenuating circumstance requiring them to fill a slot in their season and everyone's schedules aligned.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Call_me_jorge said: "^ it could come in through roundabout. Violet transferred to Broadway with sutton and she may not be a name, but she's a bigger name than what she was then. Younger is pretty popular.
"
Kevin McCollum is a commercial producer. He isn't going to transfer a production to a non profit theater company.
On the New Group's site, they're already advertising,"Consider upgrading to a subscription to guarantee your seat to Sweet Charity." And while they offer both 4 show and 3 show packages for potential subscribers, they are only offering Sweet Charity in the 4 show package. Perhaps they've hit a wall in reaching certain demographics, and this is their solution to expanding their audience.
I don't know anything about the New Group, but it does seem to be a mismatch between the show and the size of the theater. Personally, I like Sutton Foster and would be happy to see this.
It is an odd choice for The New Group, but I think Sutton is perfect casting for the role. I don't know if I can think of any other major Broadway star who has all the necessary skills to be a great Charity.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
I like the score and all but why bother if you do not get the Fosse choreography . I saw the original production and the show would not be the same without it Sutton Foster notwithstanding
Roxy makes a good point. Almost went for a subscription package but will just hope for the single ticket on sale. Anyone know when individual tickets become available?
Foster didn't seem to have any trouble with the complicated ANYTHING GOES choreography. She did way more complicated dancing than Patti did in the '87 revival, and did it with ease. The choreography changes are for artistic reasons, I would venture, rather than to accommodate her.
It is a weird choice for this particular company, but as some others have said, I assume that this will not be a traditional paint by numbers revival.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"I'm not sure Sutton could handle the Fosse choreography. I don't think of her as a Gwen, Chita, or Ann Reinking."
I'm confused by this statement. Even though both shows were largely tap-based, both of her Tonys were for dance-heavy shows and roles. While it remains to be seen if she has the Fosse sensibility (and we don't even know how it will be choreographed), it's not as though she couldn't handle it from a purely technical level.
I also think of anyone working today, other than maybe Jane Krakowski, she's a pretty good successor to Gwen Verdon. I was recently re-reading the Wasson biography of Fosse, and the way Verdon is described in performance reminds me a lot of Sutton Foster. She has that kind of winning spirit and vulnerability that Verdon apparently brought to her roles, and that seems pretty ideal for Charity especially. On paper, it's certainly a much more ideal fit than Reno Sweeney, and if she could handle that, I feel like Charity will suit her well.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.