Whispers of a transfer have started to get a lot louder since after Christmas... everyone I know that has seen this is raving and it is projected to have a great showing at the Oliviers.
The lead producers here all have New York experience, and I can't imagine they aren't chomping at the bit to make the move for what should be a very Brit-heavy 2025-26 Broadway season.
EDSOSLO858 said: "Whispers of a transfer have started to get a lotlouder sinceafter Christmas... everyone I know that has seen this is raving and it is projected to have a great showing at the Oliviers.
The lead producers here all have New Yorkexperience, and I can't imagine they aren't chomping at the bit to make the move for what should be a very Brit-heavy 2025-26 Broadway season.
What do we think?
Keep hearing how great the show is. Question, what other Brit Heavy shows for 2025-2026? Mincemeat and Dorian? More?
I did not like this at all but I'm not the target audience for this type of music. It reminds me of Choir of Man but with original music. There are several references to drinking. If you like that, then you'd love this. I also just saw a band called LANKUM the night before and they are legit better Irish folk music. The music in Benjamin Button is laughable in comparison.
By the way, they are not showing Benjamin aging backwards - they just TELL YOU.
The story is now set in Ireland so yeah there’s references to drinking. Not saying everyone in Ireland drinks but…y’know.
I’m done guessing what will or won’t transfer here and what will or won’t catch on with an American audience but my gut reaction says this show, this particular adaptation of the “Benjamin Button” story is not the one that can succeed in the States. I saw this at the very small Southwark Playhouse and loved it. Then seeing it again at The Ambassadors (which only has a capacity of about 450 or so) I really liked it but not as much as I did before. Maybe it was the loss of Jamie Parker as Benjamin but there was just something that kept me from having the same reaction to it as I did before. It’s absolutely worth seeing over there but again, I just don’t see this particular version working over here.
There’s some reference to events happened in the US (IIRC moon landing etc) but it feels unnatural and that they try to get Murica’s interest for a transfer
After seeing it four times and with many more revisits to come, I can say that this should be Broadway-bound.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
yyys said: "Because that's the coolest part of the movie - to me they just took the name of the movie to bring people in."
The musical is an adaptation of the public domain F. Scott Fitzgerald short story, and David Fincher/Eric Roth/Robin Swicord drifted liberally from that story when making the film.
Haven't seen it on stage, but to try to age Benjamin on stage in the way they go with Pitt on screen could be disastrous or distracting. Or, they'd have to have multiple actors play him.
Why does my mind immediately go to Jeremy Jordan or Aaron Tveit for the Broadway transfer? (again, I haven't seen it)
ErmengardeStopSniveling said: "EDSOSLO858 said: "Jamie Lloyd’s EVITA, with Ariana DeBose and Antonio Banderas, is reportedly circling the St. James for next spring."
I saw this 2 weeks ago and thought it was one of the best new musicals I’ve seen this year. The music was catchy, the story was (surprisingly) engaging and incredibly touching. The performers were all fantastic (except for one who played the flute). Not sure if it’s a microphone issue or if she just couldn’t project.