StylishCynic said: "ljay889 said: "theatreguy12 said: "TaffyDavenport said: "Invited dress was Saturday night, and there are a couple of second-hand reactions on the other thread."
The only thing people will be eagerly awaiting with regard to word from the first previews and then opening night is does it get an A+ or an A++++.
We’re talking about The Music Man. Headed by Hugh Jackman and Sutton Foster. A feel good musical with great music and some super choreography.
This is a shoo-in. For success, and built in Tonys, from top to bottom.
The rest of the musicals don’t even have to worry themselves. Open up, enjoy, get your deserved Tony nods.
But the writing is as much on the wall for this as it was when Bette was announced for Dolly. You knew it was hers before they even went into rehearsals.
My predictions…Jackman, Foster, Best Revival, and Choreography, Sets and Lightning maybe.
Always open for the underdog win, but I don’t see it here.
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I wouldn’t rule out the Company revival if I were you. One negative review doesn’t negate how successful and timely it’s been."
I'd say that without knowing anything about TMM, it's 50/50 whether Best Revival of a Musical will go to Company or TMM. It'll be an engaging discussion during awards season whether voters choose to reward a Golden Age Revival or a Contemporary Interpretation.
I ask myself, should a new vision be celebrated more than a perfect originalist revival?
Also... Company has a heavier hand on the scale right now with the recent death of Sondheim. That will certainly play into how voters choose to memorialize this moment."
This is something I've previously mentioned in the Company previews thread. The case for The Music Man to come out on top could be that it’s a more traditional musical comedy that’ll make everyone feel good after the rough couple of years the world has gone through. However, the case for Company could be that it not only offers a bold new take on a classic, but it’s also the final Broadway revival of a Stephen Sondheim musical that Sondheim himself got to be involved with. We have seen instances before where a bold new production of a musical ended up beating out a more straightforward presentation of a classic such as The Color Purple winning in 2016 over She Loves Me and Oklahoma! winning in 2019 over Kiss Me, Kate.