There’s certainly no shortage of musicals about despicable people- liars, con artists, murderers, the venal and greedy. The question is why the story is being told and what the artists have to say about the subject. I hope Schwartz, Ferrentino, Arden, and Chenoweth can answer that effectively- the current climate suggests it won’t be easy.
Swing Joined: 7/27/25
You can just go to the tkts booth and get the premium seats for half off. That’s what everybody else does these days. I’d recommend the booth on 62nd street instead of the Times Square booth.
Crusty Bagel said: "Kristin chose Versailles over Death becomes her"
Anastasia_Beaverhausen said: "I get that, but the same seats are unavailable for every on-sale performance...even after it opens. So to me, it looks like they are greedy producers trying to get us to buy the crap seats that are there."
Yeah, it's very annoying and with no discounts, it's not selling well at all. The entire appeal is Kristin and that's not enough to make money long term. We saw what happened with Redwood.....
Broadway Legend Joined: 8/26/19
Sutton Ross said: "Anastasia_Beaverhausen said: "I get that, but the same seats are unavailable for every on-sale performance...even after it opens. So to me, it looks like they are greedy producers trying to get us to buy the crap seats that are there."
Yeah, it's very annoying and with no discounts, it's not selling well at all. The entire appeal is Kristin and that's not enough to make money long term. We saw what happened with Redwood.....
"
I think it'll bomb even harder. Chenoweth is far less known (and popular) than Idina. Redwood at least had an intriguing premise and unique stage sets. Queen of Versailles looks like a tacky, dated early 2000s show on tour. Tammy Faye-ish vibe will not be a selling point for this either.
gibsons2 said: "Chenoweth is far less known (and popular) than Idina."
I don't think there is any data that informs that opinion. They're pretty damn similar, IMO. Both have Tonys, both have approx 1.5 million Insta followers, both regularly do concert engagements, they had identical screentime in WICKED, and both have been away from Broadway book musicals for about 10 years. The main difference is one of them had a hit Disney film but one has had a more robust TV acting career. Idina's fans might skew a little younger than Kristin's because of the Rent and Frozen of it all (which if true could benefit QOV).
QOV is more expensive than Redwood and it has a bigger theatre, but it also has a director and composer with a better track record. I wouldn't be surprised if it runs longer than Redwood but ultimately loses more money.
gibsons2 said: ". Chenoweth is far less known (and popular) than Idina.“
Fighting words!
Swing Joined: 7/27/25
I don’t like all the hate Kristin got after singing the national anthem. She sounded amazing, the crowd loved it, it’s those stupid, untalented lowlifes online who had a problem
Does this have any buzz at all!
We are barely into August. Most people have more on their minds right now than what is on Broadway in the Fall.
I'm sure once we get to mid-September they will ramp up advertising & Ms Chenoweth will be all over doing interviews etc everywhere.
The issue I have with this show…is that there’s a lot of potential if you’re punching up and absolutely skewering Jackie and David (RIP). It doesn’t really work when you’re trying to make Jackie a victim of circumstance as opposed to her own choices. When the real Jackie was being consulted during workshops is when I felt they were going down the wrong road. The documentaries evoke a real sort of Grey Gardens level of dysfunction, and you can tell the musical wants to be the Grey Gardens type, but it doesn’t hit in the same way.
I think it would have been a solid show on the boards pre-pandemic. As it stands after the Boston run…unless there’s been extensive work put in (which is not the case from what I’ve heard) it might last a couple months longer than Redwood, but not by much. I adore Megan Hilty and her DBH casting, but Kristin really should have stuck with that property instead.
Let’s not overstate Chenoweth’s involvement with DBH and present it as Chenoweth choosing this musical over that one. Chenoweth was announced as attached to DBH way back in 2017, before any of the show’s ultimate creatives were even attached- the current writers weren’t even hired till 2020 (it was also during an era of her career in which she would semi-regularly announce her attachment to various projects that were not at all ready to be public knowledge).
Chenoweth was the queen of readings and workshops for a while and seems to have been attached to a bunch of shows that either happened with others or haven't (Soapdish? Best Little Whorehouse?).
I don't think her star power is enough to fill that big of a house in what I think is going to be a tough sell based on how it did in Boston, but I'd love to be proven wrong.
gibsons2 said: I think it'll bomb even harder. Chenoweth is far less known (and popular) than Idina. Redwood at least had an intriguing premise and unique stage sets. Queen of Versailles looks like a tacky, dated early 2000s show on tour. Tammy Faye-ish vibe will not be a selling point for this either."
Yeah, they need everything to be perfect since people are becoming more frugal and selective. Perhaps they’re over estimating her audience long term?
Swing Joined: 7/27/25
Sutton, how’re you getting down to DC? Can I catch a ride?
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