So, I remember watching this show when it was on PBS and I fell in love with it! It was amazing! I was wondering what were other people's thoughts on this production? The cast, the set, and of course the music were fantastic! I was also wondering if it toured? Because if it did I wonder what the new staging was like!
~Anthony!
Broadway Legend Joined: 7/30/09
Yes, it's a great show that was quite well received. There was a national tour that used basically the same staging that was slightly changed for a proscenium stage. If I remember correctly, before the show went to Broadway, it was done at the Goodman in Chicago, which is a proscenium stage, so that was altered when it went to the Beaumont, which is a thrust stage. It all still worked quite well.
Broadway Legend Joined: 6/28/11
I agree with Sinister One about the PBS broadcast! I had tried to listen to the OBC album, but had never given the piece the attention it requires.
When I had to sit and do nothing but watch and listen, I was gobsmacked! The score is magnificent, the characterizations intricate and the plot consistently surprising, especially for a musical. And on top of all that the show actually has something to say!
I am still in awe how Spamalot won! I mean sure, it was fun show, but I think TLITP should have won. Also does anyone know if there is any way to watch the PBS recording? It would be great to watch again!
Updated On: 8/16/11 at 07:48 PM
Broadway Legend Joined: 7/27/05
I saw the national tour in Chicago and it was amazing, though I'm not the biggest fan of Christine Andreas. Katie Clarke had definitely improved by then.
Broadway Star Joined: 8/19/10
The design was a work of art. Every single moment was a mesmerized stage picture. The story was quite touching, and the music I thought was beautiful. I really didn't want the play to end!
Victoria Clark was stunning. Her character was portrayed in the most believable way, with such intensity.
The sound, scenic, lighting, and costume designs was gorgeous. Beyond words. I was in awe at some moments. Beautiful beautiful beautiful. Especially with a beautiful orchestra led by the extremely talented Kimberly Grigsby, the way she weaves the music!
Updated On: 8/16/11 at 07:54 PM
Maybe I need to revisit the show because I haven't watched the Broadcast for a couple of years when I first 'got into' musicals, but one of the problems I had with the book was the build-up to revelation that Clara was mentally retarded. I guess anti-climactic might be the feeling I have towards it....I'm not sure exactly how I feel but something just rubs me the wrong way. I'm not saying the story should be changed so that she is a transvestite leper, but could there be a better way to deal with this than her mother continuously whispering to the side that her daughter is 'different'?
qolbinau I see what you are saying. I think because I knew what was going to happen I was little ancy too. I think most people could tell as well. So I agree with you. AwsomeDanny you coould not have put it better!
Broadway Legend Joined: 11/3/05
The Lincoln Center production is one of the very, very few that we have gone to see more than once. Stunning on every level.
Broadway Legend Joined: 6/28/11
Is it accurate to call Clara "mentally retarded"?
There are a lot of different learning disabilities and I'm certainly no expert.
Certainly, Clara is "differently abled" as a result of her childhood accident and she is naive, at least in part because she has been sheltered by her family. But she learns enough to convert to Catholicism for the wedding.
That doesn't sound "retarded" (i.e., IQ below 75) to me.
Broadway Legend Joined: 7/27/05
Well, according to the musical she has the mental age of 12 (in the novel it's 10). That's definitely a developmental delay.
Broadway Legend Joined: 6/28/11
Thanks, Sparks, for the specifics. Wiki seems to treat "traumatic brain injuries" as something apart from mental retardation (my apologies to those who don't like that term), though either may cause developmental delays...
http://en.wikipedia.org/wiki/Traumatic_brain_injury
I don't know, somehow Clara seemed different from what I've experienced in mentally retarded people I've known. But as I said, I'm not an expert and I could well be wrong.
Broadway Legend Joined: 7/27/05
You're correct in that she wouldn't be considered Pervasive Developmentally Disabled because you need signs of impairment before the age of three (IIRC). TBI is a more accurate description.
Broadway Legend Joined: 6/28/11
Thanks for sharing your knowledge, Spork. You obviously know a lot more about this subject than I do, so I'll be happy with whatever term you think best.
My original point wasn't to correct somebody else's terminology, but to ask whether I am misremembering the character in the play.
One of my favorite musicals of all time. Such an important and beautiful score that every serious theatre lover should listen to. Victoria Clark's performance was one of the best I've seen and I throughly enjoyed Katie Rose Clarke and Aaron Lazar's performances. Kelli O'hara's voice was perfection on the cast recording. I also kind of liked how the story left us with an uncertain feeling with how Clara and Fabrizio's life together will turn out.
Broadway Legend Joined: 5/20/03
I saw it at Lincoln Center and remember thinking that Act 1 was dreadfully slow.
And don't forget Catherine Zuber's stunning costumes.
Spamalot was the worst of the nominees that year. The Light in the Piazza should have won that contest easily.
I love this show! It's one of the most musically strong shows to have played in several years...the orchestrations are absolutely GORGEOUS.
Broadway Legend Joined: 6/24/09
This is definitely the most beautiful, romantic score in a looong time. I love this show so much. Also, Kelli O'hara, to echo a poster above, is perfection on the OBC. I didn't like Katie Clarke as Clara when I saw her after Kelli's performance was burned into my memory, but that might just be me not being able to be fair to Katie/anyone else as Clara.
one of the best musicals of the last ten years, with the most gorgeous score. the original production was magical, but i saw arena stage do this last year, and it held up beautifully.
Oh! I love The Light in the Piazza. Seeing the PBS broadcast was the first time upon a musical's conclusion that I thought "Whoa! That was art!"
In regards to Clara's state:
I remember hearing that you are supposed to question her behavior in two ways: 1) Is Clara the way she is because of the kick in the head (i.e. developmentally delayed), or 2) is she this way because of her mother's behavior since the accident (sheltered so much to bring about her naivety / childlike behavior)?
Broadway Legend Joined: 6/28/11
^^^^^
I like the idea that the viewer doesn't know. It's a mystery worthy of such an artful show (as opposed to ambiguity for its own sake).
"Light in the Piazza" and "She Loves Me" are my two favorite shows that I've never seen. I fell in love with both through their cast recordings and then watched each at the Lincoln Center Library Archives. "Piazza" is just gorgeous- wonderfully directed, acted, sung, and designed. I'm glad I got to see the video of Kelli O'Hara as Clara, but I'd love it if anyone could point me toward the PBS Live From Lincoln Center Broadcast.
Also one of my favorite musicals. I saw the show on Broadway during its last week and was in tears by the end of the first act. A beautiful piece of theater.
Regarding Clara's condition, a brain injury like hers prior to the age of 18 would technically be considered mental retardation (or a developmental disability, to use the newest lingo). I believe it's clear in the show that Clara is mildly DD which is why her mother is over-protective, although her being so sheltered certainly doesn't help her childlike nature.
Videos