We saw the show last night and mostly enjoyed it. Six of the 11 characters at the performance were understudies, and by and large they were excellent. (Why the understudies aren't listed on the show's website is criminal, but I digress...) It really felt like a finely tuned machine, my hat goes off to them.
Also kudos to the set design. Looks to be the exact same dimensions at the Cort, and with the added black around it to fill out the larger proscenium, it only heightened the feeling that we were entering some murky territory.
Until the end, I found it to be a hilarious, insightful, look at the petty bull**** of humanity, and our fragile egos. That it it was riddled with such detailed inane nonsense heightened the "where is this going" tension, because I'm sure we'd be thinking the same thing sitting in that actual setting: "Oh great, another vote? Let's move this along!" I think Letts played with our impatience and used it to evoke angst and laughter, and that's when it was at it's strongest.
Like most we were stuck pondering the ending. I actually vaguely remembered the spoilers from this thread from pre-pandemic, and I can't decide if I would've liked to see the more extended original ending. I wonder if it would've put more of a period on the end of the sentence, you know?
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008