No axe, just genuine curiosity. She grew up in my hometown and went to my high school. She was attractive but not "stage star-quality" beautiful, had a passable but not particularly noteworthy singing voice, yet got big parts in many of the school variety shows because a friend of her family's was the musical director and a voice coach at the school. (These shows and the district musicals were on par with, or larger-scale than, most professional theatre; the district is wealthy and the arts budgets were, and are, gigantic.) Oh, her other claim to fame was she apparently was "the god-daughter of Ann-Margaret." I have no idea if she went to NY straight out of school or college, or at first auditioned to perform on Broadway. Clearly she knew she couldn't make a long living as a performer and work her way up; I suspect it was some kind of gift/trust/family money in order to stay in the theatre community as a producer. Just curious exactly how she got her initial funding, given that it's not a straight-forward trajectory. Not one that I particularly respect, anyway.
Kudos to whoever's idea it was to do a show about a lesbian, sure. But she was on the production team of "Thoroughly Modern Millie" also--which is not nearly in the same vein. Rather fluffy.
So--curious.
"There is no use trying," said Alice; "one can't believe impossible things." "I dare say you haven't had the practice," said the Queen. "When I was your age, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast." --Alice in Wonderland