It's an implication, songanddanceman, a theme.
As for my post being long, I agree, the last thing this place needs is detailed analysis and thought supporting one's position.
And dontwhatever, I know you were "paying me a compliment" but what you were trying to do was join with me and I think you're a nozzle so I declined.
ETA Kyle, it was people who posted their enthusiasm for Wicked in San Francisco and who went on and on about what a great show it was going to be and how it was not to be missed that I bought two full price tickets for two nights after it opened on Broadway. It is because of people with that opinion that I wasted my money. I had my doubts about Schwartz going in, but since I admired the flawed but clever source material and the two leads, how bad could it be. I thought it was awful, just awful.
What I think about Women on the Verge is that people who have tickets later on should not be worried by what they read here. I find it much more likely that Women will get tighter and smoother like the face of many actresses of a certain age as time goes on. Unlike Wicked, which San Francisco fans assure me somehow got worse and worse with changes that happened between SF and NYC.
If Wicked's more to your liking than Women on the Verge, that's a matter of taste. For people who are open to stories about grown up women as opposed to grown up women playing college girls as tweens, then I say they shouldn't panic if they're ticket holders to this show.
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Updated On: 10/12/10 at 10:06 AM