MERRILY WE ROLL ALONG - someone was saying it has been revised a lot but the major revisions were done for the 1985 LaJolla production. All the subsequent changes have been more like tweaks. The revised version does work very well, though I would add the opening and closing gradutaion scenes to "bookend" the piece. It has a wonderful score, coupled with interesting (flawed) chracters that I don't get why other far less interesting shows run years and years while MERRILY lives on as a such a flop. (I would apply the same comment to BOUNCE though it is still a work in progress.)
THE RINK - maybe it needs a smaller theatre, a more intimate production but it does NOT need any major re-writing.
STEEL PIER does need some rewriting but like both of the above has too fine a score to dismiss.
THE HAPPIEST GIRL IN THE WORLD - I never saw this but from the cast album and the larrely positive reviews it got in 1961, it should have been a big hit.
A TREE GROWS IN BROOKLYN - perhaps too old fashioned for modern audiences but a fine score and a really solid book.
There are other flop shows with wonderful scores preserved on cast albums, but you can see why they failed: DEAR WORLD (the score and the book do not belong together); ANYA (intresting use of Rachmaninov's music ... but a really bad book); SUBWASY ARE FOR SLEEPING (speaking of really abd books!) and BAKER STREET (just plain dull.)
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com