Just how many actors and actresses would be fired from their current musical jobs if there were no microphones in Broadway musicals?
There was a time when a performer had to SING so that they were heard at the rear of the Balcony. Now, with the great sound systems, very little is required of a lot of "stars" on Broadway.
Who do you think would keep their job and who would get fired, if for some reason there were no more microphones on Broadway?
Broadway Legend Joined: 7/22/03
Most people would not be able to do it without serious and probably long-term retraining.
What if there were no electricity?
Swing Joined: 7/28/04
Well i know Kristin Chenoweth would definatly be a keeper, rumer has it she dosent even like mic's.
But if there were really no mics on broadway then the theaters would be redesigned like they used to be, and no one would have to loose their job.
But lets hope this weird no mic thing dosent happens otherwise what would we do for the Tonys
Well, let's start off with who wouldn't get fired: Sutton Foster, Idina Menzel, any of those big belters
Who would get fired? Anyone who has a character with a softer voice: Jessica Westfeldt (as Eileen Sherwood), Angela Christian (as Miss Dorothy), Kate Levering (as Peggy Sawyer), Tammy Blanchard (as Louise at the beginning of Gypsy when she is softer), Kate Reinders (as June).
Broadway Legend Joined: 12/31/69
If there were no microphones Lea Salonga would be just fine. ;=)
Broadway Legend Joined: 7/22/03
What if there were no curtains?
Or trapdoors?
If there were no microphones Mama Mia would close.
Or orchestras?
Theatres in my city never use microphones, even though the theatres are HUGE. We had to learn how to sing without the help of mics, so its an advantage. We're not dependant on them like a lot of theatres are.
glinda (i cant spell the actress's name, sorry) would SO survive, because she's had opera training...except maybe not in those poppy songs like popular (which i LOVE)
the girls from little shop would survive
i have a feeling idina would not survive, i think she is an AMAZING singer but her voice is one of those that gets stuck real close...i dunno how to explain it, mebbe im wrong, its a hunch
adam pascal would survive. heather headley would become the new...celine dion or something (she'd survive too, if she were on bway)
hmmm...have u guys seen frenchie davis in rent? she's the only one that would survive ultimately.
the rest can pack their bags.
bernadette peters would survive as an actress but not as a singer. and i LOVE her so thats saying something. then again mebbe she would.
i dunno, its not about how good of a singer u are, its how much volume you have. heck, i'd survive on broadway. you'd hear me! but i wouldn't be coherent or in tune or anyhting like that.
the worst would be the lines, in the end, not the singing. peters would be at the top of that heap, and alfred molina. and other seriously trained actors.
...i just criticized my idols, but whatevz...just hope it never really happens, for all our sakes.
o and microphones also exist in order to be overheard by the band...so, goodbye band too i guess.
Broadway Star Joined: 5/22/03
patti lupone would be the queen of broadway because she can belt anything to the rafters!!!! :)
Helen of TROY would be inaudible.
Karen Ziemba would be working non-stop.
Both Kristin and Idina were using mics I know this because they went out in a performance last November. Both were heard fine. Last January I had a seat on stage left and could hear the ladies warming up, so yep they are miced (sp?)
Broadway Legend Joined: 5/31/04
Christy Carlson Romano would be gone.
Then again, with any luck they'll can her before the death of microphones!
Broadway Legend Joined: 5/7/04
Well, judging by the folks who are staying... DOWN WITH MICROPHONES!
Agreed! Keep the microphones though. Just kick out the people who need them.
Um. Yeah. That made sense. NOT!
Good one zoran. You witty thing you.
Broadway Legend Joined: 4/23/04
"But if there were really no mics on broadway then the theaters would be redesigned like they used to be, and no one would have to loose their job."
Maybe I'm wrong but most of the theaters on Broadway were built in the early 1900's when there were no mics. I dont think the design of the theaters have changed much since mics have been used.
He means back to the time of the Ancient Athenians.
Broadway Legend Joined: 12/28/03
This eliminating microphones thing looks good.
I think that Idina would be the first big actress to go, she's gonna ruin her pipes if she screams any more.
Karen will still definitely be in business. Lea Salonga is pretty loud...another woman I saw is Laura Marie Duncan- she put shivers up my spine, I think that she would survive pretty well.
Other actors that MAY be fired- I'm thinking some of the main cast of Avenue Q, the ones trained to be puppeteers in front of a camera. For one example, Stephanie D'Abruzzo has a very nice singing voice, but I can't imagine her being able to project as well to a whole house without a mic. I think that the only true exception in the group would be Ann Harada.
It really is technology affecting style. They say that the lightbulb was more responsible for bringing about the age of realism in theatre than Ibsen.
Microphones have allowed for more naturalism on the stage--performers can literally whisper. A performer doesn't have to worry about projecting, they can merely live through the character with all of the vocal mannerisms of real life.
Consequently, the writing has changed to reflect this.
Therefore, it isn't merely Ethel Merman was better than Idina because Merman could do 8 shows a week without microphones. It's a completely different style.
AND, no microphones means no microphones on the orchestra--everything would sound smaller (such as POTO, which needs that huge sound). How would electronic instruments be blended with non-amplified instruments? Remember, microphones first landed on the scene with JESUS CHRIST SUPERSTAR--a rock musical.
I am sure that certain musicals would sound awesome with no microphones--to hear voices and instruments with just the ear is a glorious thing. But, we come in such a direction that I do not think we can go back.
Broadway Legend Joined: 4/23/04
I dont see the point of eliminating mics. If it helps an actor be heard and sound better, than I dont see the problem in using them. Personally I dont like Ethel Merman's style of singing because to me it is just yelling in order to be heard in the back of the house.
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