I don't like watching or listening to bootlegs simply because I find the frequently poor quality detrimental to any sort of enjoyment or analysis I might have.
And even when I didn't live in NYC, but rather in the cultural wasteland of Florida, I didn't watch them. I settled for B-roll clips and reviews and publicity photos.
But then, I'm a total square.
I see nothing wrong with people watching bootlegs of a performance long closed or a performer who has moved on to other things. The product one may want to spend money on is all-to-frequently gone by the time they can. Do they enable intellectual theft? Sure. But so does having a good memory and some extra money, or having to foresight to thoroughly annotate a script of a production they're in.
If you're doing it to steal or make a buck, you're a lazy shyster ****.
But I see this no different than the people who so carefully keep passing the tapes of TV series and specials or movies that have never seen proper mass release.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Updated On: 9/16/13 at 09:10 PM